PARIS (AP) "Against Nature" was the title of Raf Simons' experimental Christian Dior spring-summer 2014 show, presented in a tent within Paris' Rodin Museum.
As the first guest ducked under low drooping vines to glimpse the display of the many thousands of vividly colored exotic flowers that hung from make-shift metal scaffolding, the show's theme was immediately seen to echo in the decor.
This flora in unnaturally lurid colors had no place growing inside a tent. But the flowers were just the backdrop of Simons' combative and colorful creative mission: To form "a new tribe of flower women" and to "change the very nature of things."
Boldly, Simons intended to engage with and go against the DNA of the Dior house itself. When the show opened with a black bar jacket slashed at the sides, his intentions were clear.
This was followed by a series of classic Dior archive lantern dresses had slashed looped pleats, thrown off kilter either in glaring blue or rebellious printed text underneath.