Elsewhere, pleating was used excessively, and abstractedly, in diagonal movements that defined the silhouette of a pale pink or blue silk skirt.
"Skorts," a pair of shorts resembling a skirt, came in dazzling multicolors.
He was certainly taking risks.
Simons said he'd designed a collection where the "lyrically romantic becomes dangerous, a beautiful rose garden becomes poisonous."
An inverted tulip shaped silk skirt had a floaty silhouette but this came in bright yellow silk below a black top: Mother Nature's color code for danger.
There were plenty of ingenious DNA subversions at work here and almost all of the 76 looks made a great statement.
But the small problem was just that: 76 looks was perhaps too much, and with Simons' overactive brain it felt at times that he was trying to say too much in one show.
But then again, Simons' mission is not a small one: to evolve the house and "propel Dior's iconic style into the 21st century." He certainly did that here and then some.
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Thomas Adamson can be followed at Twitter.com/ThomasAdamsonAP