Johnny Hallyday, known as the French Elvis, built his six-decade show business career on old-fashioned rock 'n' roll, but he also kept up with the times technologically. From 2012, his Instagram account shared a canny mixture of the personal and the professional, promoting his tours, his albums and his image
French rock star's Instagram defeats his widow in inheritance battle
David Hallyday, however, offered something even more compelling: a chart of Johnny and Laeticia Hallyday's locations from 2012 to 2017 as revealed by pictures from their public Instagram accounts.
The chart showed that Johnny Hallyday spent at least 151 days in France in 2015 and 168 the year after. He then spent eight months without interruption in the country, mainly because of his illness, before his death in 2017.
The court accepted the children's argument, ruling that it had competence to decide on Johnny Hallyday's estate.
The battle over the Hallyday inheritance, including performers' rights on more than 1,000 songs and properties in France, on the French Island of St. Barthélémy in the Caribbean and in California, has mesmerised France. Hallyday was an idol for many during his life and he received a hero's tribute in Paris after his death, as 15 million watched on television.
But Tuesday's decision also served as a reminder of the rising prominence of data from social media as evidence. Other than cases in which content is directly at fault, like bullying or harassment, social media posts have been used in divorce and criminal proceedings. In 2017, the International Criminal Court in The Hague issued its first arrest warrant relying on videos posted on social media as evidence.
"Everyone is still finding their feet with this," said Emma Irving, an assistant professor of public international law at Leiden University in the Netherlands in a phone interview on Wednesday. "There is a gradient of approaches out there," she said.
The attitude of today's courts is similar to their predecessors in the early 20th century, when the admissibility of conversations on the telephone, then a relatively new technology, was still contested, according to a copy of the Harvard Law Review from 1918.
But the problem with social media, Irving said, "is that the technologies that we have to develop fakes are very sophisticated, making it very difficult to tell the difference between genuine material and fake material."
"What we're facing now is making sure that we're not prejudicing the right to defence," she added.
The court in Paris said it handled the Instagram posts as public data in the same way it had other materials, such as press clippings. It was up to the widow, the court's ruling said, to provide evidence to the contrary.
Laeticia Hallyday plans to appeal.
Written by: Palko Karasz
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