Amatrice was once a quiet hilltop town in the rustic countryside of northern Lazio, relatively untouched for over 1000 years. Now, in the wake of last week's devastating 6.1-magnitude earthquake, this medieval village is little more than a pile of rubble, already a memory.
At least 291 people died across central Italy during and after the earthquake, and the body count may still rise in the days ahead. Funeral services for the 50 victims killed in the Marches region were held yesterday in the cathedral of Ascoli Piceno. Italian President Sergio Mattarella and Prime Minister Matteo Renzi attended.
In addition to the human cost of the tragedy, Italian authorities are beginning to assess what the loss of Amatrice and similar small, ancient and remote towns means for the country's extensive cultural heritage. In a preliminary report, the Carabinieri Art Squad - a branch of the Italian national police - listed more than 50 historic sites gravely damaged or destroyed in the earthquake. Most of them were small village churches that have stood in dusty town squares for centuries, marking the events that still define the cycle of life in rural Italy: christenings, weddings, funerals.
In Amatrice, known as the town of "100 churches," at least 15 were destroyed - including Sant'Agostino, a 15th-century structure decorated with elaborate frescoes and a rose window on its facade. What does remain is the town's clock tower, with the hands stopped at 3.36, the moment when the earthquake struck.
For art historians, Amatrice and the other nearby towns affected have always been frozen in time, and their unspoiled longevity - as opposed to any specific building or work of art - was their true legacy.