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Theatre Review: Poor Boy, Maidment Theatre
Link between the plot and Tim Finn's songs is tenuous, but it's a striking piece of theatre.
Link between the plot and Tim Finn's songs is tenuous, but it's a striking piece of theatre.
Poor Boy, the play inspired and soundtracked by Tim Finn's songs, has arrived in Auckland after seasons in Melbourne and Sydney. Dionne Christian goes behind the scenes.
Ben Barrington plays Olaf in The Almighty Johnsons, Mondays, 9.30pm, TV3.
Conor Lovett is a virtuoso actor and widely acclaimed as the best living interpreter of Samuel Becket's work.
At first, this late-night one-man show from Australia looks like just a vehicle for a Mr Bean impersonator in younger, more alternative clothing.
If you are looking for a show that is funny and uplifting, it is unlikely that you would settle on something that has interminable and suicide in its title.
When the Basement theatre is packed out at 10pm on a Monday night for a local production based on a 19th century novella by Henry James, I think it is safe to say the Auckland Fringe Festival and the Auckland Arts Festival are going off.
Think Fame plus Benny Hill and you get the gist of hit reality show Pineapple Dance Studios, writes Deborah Hill Cone.
Go Girls' sidekick Matt Whelan gets his chance to shine on the big screen as a sorely tested suitor in the Kiwi romantic comedy My Wedding And Other Secrets.
Boldly and cleverly, this Flaxworks solo show is built upon one solitary, striking symbol of celebrity.
Set designer John Verryt shows Viva a few of his favourite treasures.
A multimillion-dollar stage adaptation of Spider-Man has been plagued by broken limbs, stage collapses and walkouts. Critics have branded it a joke. But even before it's opened it's already breaking box-office records.
In response to the tragic earthquake in Christchurch on Tuesday, several events across New Zealand have been organised to raise money for relief funds.
The latest piece of youth-oriented theatre from Massive Company adopts the admirably egalitarian but dramatically unsatisfying strategy of giving what amounts to a lead role to each member of the 14 person cast.
When is a dance work not a dance work? asks Bernadette Rae about an Arts Festival piece which mixes French intellectualism, untrained performers and Lionel Richie.
The Fringe festival has exploded into life nowhere more so than at The Basement which is serving up a moveable feast of up to five fast-turn-around shows a night.