Comedian and self-proclaimed "interested idiot" Robin Ince talks to Dr Michelle Dickinson.

Anzac Eve is entertaining and intriguing

Kate McGill makes theatre which tells it like it is and her new play is no exception.

Composer Tim Rice is amazed his first offering is still so loved, says Dionne Christian.

Aroha Rawson was just beginning her acting career when she fell 5m and broke her back.

She'll perform at the Actors' Benevolent Fund gala today at the Pop Up Globe.

Sing for joy - there are musicals for everyone on stage in Auckland this year.

The play Magdalena of Mangere offers an eye-opening portrait of overlooked suburb.

Dave Armstrong's new play is an honest and unflinching look at today's Anzac experience.

Sir Ian McKellen will reprise the role of Gandalf in a new one-man stage show.

How well do our favourite spine-chilling moments from horror films work on stage?

The play Every Brilliant Thing proves there's genuine joy to be found in the everyday.

Sonya Kelly presents a romantic comedy with modern love in a shrinking world at its heart.

High-tech wizardry makes The Encounter spellbinding theatre, writes Paul Simei-Barton.

Kids' play makes science fun but delivers environmental message, writes Dionne Christian.

"There was always a soundtrack in my head," says Richard O'Brien, "even as a kid."

Trolls, dancing and cake make Peer Gynt absurd, smart and funny, says Janet McAllister.

The storm clouds swirling above the open roof of the Pop-up Globe seemed to hold a mirror to the wild passions unleashed in the staging of Othello.

The Biggest is a highly entertaining journey into male identity, says Paul Simei-Barton.

iD is heart-stopping spectacle and circus at its most modern, writes Dione Joseph.

A play about Shakespeare in prison avoids clichés, writes Janet McAllister.

Theatre reviewer Janet McAllister has a mixed night out at the fringe festival.

Reviewer Dione Joseph leaves Pop-up Globe's Henry V with a new favourite play.

Andrew Gunn's first play was an award-winner; expectations are high for his next.

Dramatic battles recall the 'original immersive theatre'.

A night on the Floating Theatre makes for an enchanted evening, writes Janet McAllister.

Can a performance make us genuinely care about the dying? Dione Joseph thinks so.

Theatre review: Paul Simei-Barton takes a look at the Pop-up Globe's latest production.

La La Land producer Jordan Horowitz has opened up about the mortifying moment.

Who says you need to be on land to see a show in the Auckland Fringe Festival?