iD is heart-stopping spectacle and circus at its most modern, writes Dione Joseph.

A play about Shakespeare in prison avoids clichés, writes Janet McAllister.

Theatre reviewer Janet McAllister has a mixed night out at the fringe festival.

Reviewer Dione Joseph leaves Pop-up Globe's Henry V with a new favourite play.

Andrew Gunn's first play was an award-winner; expectations are high for his next.

Dramatic battles recall the 'original immersive theatre'.

A night on the Floating Theatre makes for an enchanted evening, writes Janet McAllister.

Can a performance make us genuinely care about the dying? Dione Joseph thinks so.

Theatre review: Paul Simei-Barton takes a look at the Pop-up Globe's latest production.

The Pop-up Globe reminds us the Bard knew a thing or two about entertainment, writes Paul Simei-Barton.

Auckland Arts Festival is producing five community-based projects where participation is the focus

A play at the Fringe Festival questions the pardons being given to gay men

From comedy to science fiction, there are few topics acclaimed New Zealand playwright Stephen Sinclair hasn't brought to the stage.

Theatre reviewer Janet McAllister takes a theatrical trip to the supermarket.

Fringe Festival director Lydia Zanetti on how she pulled together a festival without much funding.

The component parts of Carl Bland's surreal mystery play present a cornucopia of theatrical delights.

Provocative play prompts us to think before we speak.

He's a seasoned professional but for actor Te Kohe Tuhaka, his latest role is something of a debut.

Is it okay to stage The Mikado in 2017? Most definitely, writes William Dart.

Damien Avery travelled a bit on his own in 2012, to the US, England and through Europe.

Silo Theatre's latest play takes the words out of our mouths and considers how powerful they really are.

Pop-Up Globe enchanted and enthralled audiences last year, repeatedly selling out shows and extended its season twice due to its outstanding popularity - and now it's back to do it all again.

Women of colour stand up and make some noise in Hot Brown Honey as part of Auckland's Pride Festival.

Eli Kent has put his spin on Ibsen's Peer Gynt.

Actor George Henare talks about life in a Broadway-style blockbuster musical.

Camping, from Chris Parker and Thomas Sainsbury, should be on TV immediately.

The new play from the RECollective Company is scarily accurate and relatable

Screen legend Ian Mune steps into the spotlight to work with award-winning theatre makers.

Roger Murray has spent two decades making monsters, gore and weapons for film and TV shows like Narnia, Spartacus and the Evil Dead.

NZ Opera's The Mikado sounds sweet, writes William Dart.