Sonya Kelly presents a romantic comedy with modern love in a shrinking world at its heart.

How well do our favourite spine-chilling moments from horror films work on stage?

The play Every Brilliant Thing proves there's genuine joy to be found in the everyday.

High-tech wizardry makes The Encounter spellbinding theatre, writes Paul Simei-Barton.

Kids' play makes science fun but delivers environmental message, writes Dionne Christian.

"There was always a soundtrack in my head," says Richard O'Brien, "even as a kid."

Trolls, dancing and cake make Peer Gynt absurd, smart and funny, says Janet McAllister.

The storm clouds swirling above the open roof of the Pop-up Globe seemed to hold a mirror to the wild passions unleashed in the staging of Othello.

La Soiree is a spiegeltent spectacular thanks to three amazing acts, writes Raewyn Whyte.

iD is heart-stopping spectacle and circus at its most modern, writes Dione Joseph.

A play about Shakespeare in prison avoids clichés, writes Janet McAllister.

Theatre reviewer Janet McAllister has a mixed night out at the fringe festival.

Reviewer Dione Joseph leaves Pop-up Globe's Henry V with a new favourite play.

Andrew Gunn's first play was an award-winner; expectations are high for his next.

Dramatic battles recall the 'original immersive theatre'.

A night on the Floating Theatre makes for an enchanted evening, writes Janet McAllister.

Can a performance make us genuinely care about the dying? Dione Joseph thinks so.

Theatre review: Paul Simei-Barton takes a look at the Pop-up Globe's latest production.

The Pop-up Globe reminds us the Bard knew a thing or two about entertainment, writes Paul Simei-Barton.

Auckland Arts Festival is producing five community-based projects where participation is the focus

A play at the Fringe Festival questions the pardons being given to gay men

From comedy to science fiction, there are few topics acclaimed New Zealand playwright Stephen Sinclair hasn't brought to the stage.

Theatre reviewer Janet McAllister takes a theatrical trip to the supermarket.

Fringe Festival director Lydia Zanetti on how she pulled together a festival without much funding.

Provocative play prompts us to think before we speak.

The component parts of Carl Bland's surreal mystery play present a cornucopia of theatrical delights.

He's a seasoned professional but for actor Te Kohe Tuhaka, his latest role is something of a debut.

The stage show fans of horror films must see.

Summer Shakespeare As You Like It is a good time, but a long one.

Is it okay to stage The Mikado in 2017? Most definitely, writes William Dart.