![Theatre review: Every Brilliant Thing simply brilliant](/pf/resources/images/placeholders/placeholder_l.png?d=787)
Theatre review: Every Brilliant Thing simply brilliant
The play Every Brilliant Thing proves there's genuine joy to be found in the everyday.
The play Every Brilliant Thing proves there's genuine joy to be found in the everyday.
High-tech wizardry makes The Encounter spellbinding theatre, writes Paul Simei-Barton.
Kids' play makes science fun but delivers environmental message, writes Dionne Christian.
"There was always a soundtrack in my head," says Richard O'Brien, "even as a kid."
Trolls, dancing and cake make Peer Gynt absurd, smart and funny, says Janet McAllister.
La Soiree is a spiegeltent spectacular thanks to three amazing acts, writes Raewyn Whyte.
The storm clouds swirling above the open roof of the Pop-up Globe seemed to hold a mirror to the wild passions unleashed in the staging of Othello.
Once an 80s heart-throb and chart-topper, Jason Donovan is on his way to NZ.
The Biggest is a highly entertaining journey into male identity, says Paul Simei-Barton.
Theatre reviewer Janet McAllister has a mixed night out at the fringe festival.
Reviewer Dione Joseph leaves Pop-up Globe's Henry V with a new favourite play.
Andrew Gunn's first play was an award-winner; expectations are high for his next.
Dramatic battles recall the 'original immersive theatre'.
A night on the Floating Theatre makes for an enchanted evening, writes Janet McAllister.
Can a performance make us genuinely care about the dying? Dione Joseph thinks so.
Theatre review: Paul Simei-Barton takes a look at the Pop-up Globe's latest production.
La La Land producer Jordan Horowitz has opened up about the mortifying moment.
Who says you need to be on land to see a show in the Auckland Fringe Festival?
A play at the Fringe Festival questions the pardons being given to gay men
From comedy to science fiction, there are few topics acclaimed New Zealand playwright Stephen Sinclair hasn't brought to the stage.
Theatre reviewer Janet McAllister takes a theatrical trip to the supermarket.
Fringe Festival director Lydia Zanetti on how she pulled together a festival without much funding.
The component parts of Carl Bland's surreal mystery play present a cornucopia of theatrical delights.
Provocative play prompts us to think before we speak.
He's a seasoned professional but for actor Te Kohe Tuhaka, his latest role is something of a debut.
Summer Shakespeare As You Like It is a good time, but a long one.
Is it okay to stage The Mikado in 2017? Most definitely, writes William Dart.
Damien Avery travelled a bit on his own in 2012, to the US, England and through Europe.
Silo Theatre's latest play takes the words out of our mouths and considers how powerful they really are.