
Review: Sir Tom Jones proves to NZ he's far from being 'zimmer frame entertainment'
The days of undie-throwing are gone. But at 83, he still has a voice and a touch of spice.
The days of undie-throwing are gone. But at 83, he still has a voice and a touch of spice.
Series examines the drama between Truman Capote and New York's socialites.
UK artist Fred again.. has been taking over the country on a surprise tour.
Drama based on a true story dances around the nitty gritty.
The Christchurch-set serial killer show feels uniquely Kiwi, writes Karl Puschmann.
OPINION: It was magical - yet the bringing together of cultures was not always smooth.
The Auckland Arts Festival is on until March 24.
Jake Gyllenhaal stars in this rowdy remake of Patrick Swayze’s action classic.
Fresh, funny graphic novel adaptation is Randall Park's directorial debut.
OPINION: The hypnotic vocals of Abdelilah Rharrabti and Esmail Fathi were illuminating.
Quiet horror lurks in tale of Nazi commandant's family living in the shadows of Auschwitz.
The classic combo of violin and piano shines in a church setting.
Does the raunchy new comedy fall flat?
OPINION: How to Have Sex conveys the harsh realities women face when entering adulthood.
Birdlife Productions brought their show Box of Birds to the Hamilton Arts Festival.
Review: They played the hits and threw some digs at the sold-out show.
Docudrama explores Einstein's little-known English hideout.
Political satire takes potshots at all dictators.
Aimed at the young ones but enough fun for the adults too.
The performance was part of the Hamilton Arts Festival.
The French are known for their mastery of farce, and The Crime is Mine is no exception.
The new show is full of secrets and mysteries, but does the plot land?
Hyperspace is a nostalgic roller coaster that took me right back to my childhood.
Although known for being Elvis's wife, Priscilla is very much centre-stage in this biopic.
The pop star shed a tear during her Melbourne show for a very touching reason.
REVIEW: Thoroughly entertaining second show in a trilogy.
Audaciously self-aware, mischievously funny and emotionally complex.
One of the joys was seeing young opera performers supporting professionals.
When the 60-person orchestra started to wind down, something unforeseeable happened.
A light directorial touch allows the story of Jon Batiste to flourish.