Latest fromPerforming Arts
Carving path for Maori theatre's rising stars
The Maori New Year festival Matariki gets bigger every year. This year Taonga Whakaari: The Inaugural Maori Playwrights Festival has been added to the calendar of events in Auckland and Papakura.
Everybody's dancing
Contemporary dance is enjoying an explosion in popularity, from belly dancing to street and ballet styles.
Review: <i>Sweeney Todd</i> at Maidment Theatre
Seizing the dark heart of the show Ross Girven captures the haunted nature of Sweeney Todd's psychosis.
Review: <i>Faux Real</i> at The Basement
Solo performer Gareth Williams takes us on a delightfully whimsical journey inside his head.
Review: <i>Marriage of Figaro</i> at the Aotea Centre
NBR New Zealand Opera's The Marriage of Figaro is as engrossing a night of theatre as one could wish for.
Tributes flood in for pioneering actress
Dame Pat Evison, a much-loved stalwart of New Zealand radio, television and theatre who died at the weekend, will long be remembered for her colourful contribution, colleagues say.
Dame Pat Evison dies
One of New Zealand's best known actresses, Dame Pat Evison, has died at the age of 85 after a long illness.
There will be blood
The razor gang behind a new stage production of Sweeney Todd talk to Dionne Christian about bringing the mythical murderer to musical life.
Review: <i>Pear Shaped</i> at The Pumphouse Theatre
This debut work by local drama teacher Andy Saker shows an easy familiarity with the North Shore's casual backyard culture.
Review: <i>Avenue Q</i> at The Civic
Opening with the eternal question - 'what do you do with a BA in English?' - Avenue Q dispenses a bright and breezy antidote to the pressures of life in the big city.
Review: <i>Horseplay</i> at the Maidment Theatre
There are Baxter self-quotations and talk of cut-throats and fowlhouses for literary experts to spot, but you don't have to know a line of the great men's work to enjoy the play.
Urban poet coming to our neighbourhood
Dark takes his cue from mysterious electronic producers like Burial, whose identity was a closely guarded secret until he was nominated for the 2008 Mercury Music Prize.
Review: <I>The Suburban Murder</i> at Galatos Theatre
The devised work is clearly actor-driven and the huge cast of 17 all get a chance to get their teeth into well-rounded characters.
<i>Michele Hewitson Interview</i>: John Leigh
John Leigh talks about acting as though it still isn't really his idea, as if he has no idea how he ended up being an actor and that it has, just this minute, occurred to him that he is one.