Can Black Midi's Mercury nominated Schlagenheim do the impossible and make prog cool?

Album review: The Black Keys, Let's Rock

Latest release from the vault has the Purple One performing the hits he wrote for others

On their eighth studio album The National embrace their feminine side

It felt like discovering a special performer just discovering how special she is.

Running over an hour and with a whopping 27 tracks Flamagra is a daunting proposition...

Vampire Weekend return after a six-year hiatus with more Vampire Weekend than ever before

Album Review: Delaney Davidson & Barry Saunders, Word Gets Around

The stars of the Kiwi musical take on some beloved Kiwi classics. Do they do them justice?

After three years Avalanche City are back and banjo-less. But has the wait been worth it?

Album review: Olympic Girls, Tiny Ruins

Movie review: Colette

Q: What does Michael Jackson, Black Sabbath and Toto all have in common? A: Weezer.

The Guns N' Roses rocker played Tauranga last night, here's how it went down

Songs as bleak as these should not be this catchy

But should his big band jazz album, uh, find a way to your stereo?

Does the new album from Auckland band Racing signal the return of dance-rock's glory days?

Indie heroes swap sex, food and vocals for sax, groove and instrumentals on bold new album

Album review: Princess Chelsea, The Loneliest Girl

Album review: Pacific Heights, A Lost Light

New albums from Troye Sivan, Interpol, Blood Orange and Passenger get the review treatment

Songs about life, death and fuh-ing... Karl Puschmann on Paul McCartney's Egypt Station.

Album review: Interpol, Marauder

Album review: Avantdale Bowling Club

Album review: Neil & Liam Finn, Lightsleeper

Album review: Lola Kirke, Heart Head West

Album review: The Beths, Future Me Hates Me

High Beams is one of the most exciting hip-hop records of the year.

Album review: Jed Parsons. Midnight Feast

Music review: Kamasi Washington, Heaven and Earth