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Tyson Smith: <i>There's Nothing We Can't Pretend</i>
Tyson Smith's debut album comes about after a fair bit of traveling and he alludes to its intercontinental feel with the image on the cover.

Deftones: <i>Diamond Eyes</i>
On Diamond Eyes Chino is back to his shrieking, yowling, and soaring best with a unique voice that sounds like he's singing through a loud hailer.

Kate Nash: <i>My Best Friend Is You</i>
It starts very distinctively Kate Nash: all pretty piano, stirring strings, claps, and her voice - sweet as pain au chocolate.

Dum Dum Girls - <i>I Will Be</i>
Recent Sub Pop recruits Dum Dum Girls reference the Iggy Pop's track in their name and, it's a good starting point to their sound.

Lewis McCallum: <i>Syntheology</i>
There's a toughness to Lewis McCallum's music that makes it resonate and shine.

Arc of Ascent - <i>Circle of the Sun</i>
Not since Shihad's Killjoy has a New Zealand album - or many other albums for that matter - lurched with the power, brutality and beauty that Arc Of Ascent's Circle of the Sun does.

Hole: <i>Nobody's Daughter</i>
After the mediocre solo outing of 2004's American Sweetheart, Courtney Love is back with her band Hole for their fourth album.

Glee: <i>The Music. The Power of Madonna</i>
Of course it would feature screechy stage voices, young girls punching the air and gyrating in ridiculous pointy bustier and fishnet costumes.

Javelin: No Mas
Even something as mediocre as the most recent Hot Chip album would be interesting.

The Fall: <i>Your Future Our Clutter</i>
Mark E. Smith of Britain's marathon-running post-punk agit-prop outfit The Fall, is nothing if not consistent.

Sharon Jones & The Dap Kings - I Learned the Hard Way
Singer Sharon Jones and band the Dap-Kings have made a name for themselves by reviving the essence of funk and soul music's heyday from the 60s and 70s.

Sierra Leone's Refugee Allstars - Rise and Shine
Originally from capital city Freetown, Allstars founder Reuben M. Koroma and his wife found themselves in a refugee camp in neighbouring Guinea during the late 90s.

Nathan Haines: <i>Heaven and Earth</i>
On his seventh album Nathan Haines is a hardened jazz head, a seasoned rump shaker, and sometimes, a purveyor of fine elevator jazz.

The Soft Pack: The Soft Pack
Infectious US guitar pop-rock which connects with Dunedin and elsewhere.

Tchaikovsky - Piano Concertos
Hyperion's Romantic Piano Concerto series has made its reputation tending to such forgotten masters as Bortkiewicz, Goedicke and Melcer-Szczawinski.

Slash: <i>Slash</i>
Slash has roped in many of his accomplished and famous mates to create an album that is often inspired but at times weak.

Erykah Badu: <i>New Amerykah Part Two: Return of the Ankh</i>
The second part of hip-hop-soul diva Erykah Badu's New Amerykah series is a far more soulful and subtle offering than 2008's 4th World War.

MGMT: <i>Congratulations</i>
Opening with a quick tempo and dusty vocals that could have been plucked from a 60s track, It's Working is the first sign MGMT no longer see themselves as a New York pop duo on a sugar-high.

Airbourne - No Guts. No Glory
Still sounding like AC/DC, with hints of Iron Maiden and Motorhead, and a small dash of sweaty Australians, Cold Chisel and the Angels.

Black Rebel Motorcycle Club - Beat the Devil's Tattoo
There was a time when Black Rebel Motorcycle Club were a hazy and psychedelic rock band, then they became porch song bluesmen on Howl before ramping it up again on Baby 81.

So So Modern - Crude Futures
After a string of EPs and vinyl releases, globe-trotting Wellington four-piece So So Modern - who recently completed a six-week jaunt around Europe - have come up with their debut album.

Dane Rumble - The Experiment
For an album with such promising name, Dane Rumble's album is not exactly experimental