Good-hearted but occasionally clunky, this story traverses rather belatedly the same territory as mainstream films like The Visitor.

After the excesses of his epic World War I tale A Very Long Engagement, Jeunet seems to have to returned to the imaginative worlds of his earlier works.

On paper, The A-Team movie reads like an over the top, ridiculous and inane blockbuster.

While the sequel is neither as hilarious or emotional as its predecessor, it at least ups the ante for endless wardrobe changes.

The first British film shot in 3D uses the technology to bring dance and cinema together in an exuberant way.

This adaptation of Jay Parini's 1990 novel about the last year in the life of the great Russian novelist Count Leo Tolstoy is like a night at the theatre in London or New York.

Little beneath the clothes

In contrast to the teen-model stars of American romps, the kids look and act like real kids - and that's what makes the film so charming.

A big, ballsy, fun and instantly forgettable blockbuster.

French writer and director Jennifer Devoldere's debut feature is a gentle transatlantic romance.

The film is inspired by the case of Alexia Gonzalez-Barros, a Spanish boy who died aged 14 in 1985 of cancer of the spine, and is still being considered for sainthood.

This imaginary 1972 meeting between poet W.H. Auden and composer Benjamin Britten is an absolute cracker.

In its strident efforts to be historically plausible, this latest Robin Hood may do away with many past traditions, among them the whole robbing from the rich policy of past incumbents.

Much like last year's Shall We Kiss, director-actor Emmanuel Mouret's latest comedy is centred on the question of infidelity.

Timely thrills from troubled Argentina.

With a script lacking in imagination and a predictable plotline, Letters to Juliet is quite simply overwhelmed by romantic cliches.

Bullock is the force driving this film, she's sassy and funny, interfering and determined...

Avoiding the obvious, French producer Emmanuel Benbihy assembles some striking mainly young talents in the Big Apple for a sequel portmanteau film to Paris, Je T'Aime.

Deft but downbeat, this drama is a classy piece of work thanks to a wonderfully deglamorised title-role performance by the lustrous de France.

The sequel to the movie that raised Robert Downey jnr's star stocks to an all-time-high, arrives just two years after the original.

In an attempt to be this year's answer to The Hangover, Hot Tub Time Machine is another "guys gone wild" comedy.

This prickly philosophy flick is overly cute, writes Peter Calder.

Gaylene Preston's family tale is a touching Kiwi wartime classic, writes Peter Calder.

The most intriguing thing about this romantic comedy is how it managed to attract such a good cast.

Get the tissues ready, Dear John is a quite deliberate tear-jerker.

Killer thriller: A tasty policier starring Diane Kruger.

Michael Winterbottom's newest movie has a promising premise but the film that results is all style in search of story.

Something you don't expect to see in yet another film about resistance heroism in Nazi-occupied Europe: a stagecoach chase.

Bloody, brainy and British - a superhero movie reinvented as gory comedy works out surprisingly well, writes Russell Baillie.