Well-matched actors Leonardo DiCaprio and Tom Hardy help deliver a savagely authentic Old West survival thriller

Quentin Tarantino has a new movie The Hateful Eight. As usual it doesn't adopt half measures.

The life and times of a persecuted Hollywood writer.

Will Ferrell and Mark Wahlberg were hilarious together when they teamed up in 2010 for cop movie spoof The Other Guys. While the set-up in Daddy's Home is different, their roles are similar.

The Jennifer Lawrence, Bradley Cooper and David O. Russell show rolls back into town with family drama Joy, an offbeat and quietly entertaining yarn about the rags-to-riches true story of Joy Mangano, the inventor of the Miracle Mop, and her crazy family.

Whether or not Bryan Cranston wins the Best Actor Oscar in February, this biopic will surely prompt a stream of sanctimonious recollection in Tinseltown about Dalton Trumbo.

The hero of The Good Dinosaur, the latest offering from Pixar animations, isn't the adorable apatosaurus, Arlo, his unlikely human companion, Spot, or the red neck T-Rex cowboy voiced by Western film actor Sam Elliott.

Surmounting the not considerable obstacle that French pop music makes John Denver sound like AC/DC, this Christmas crowdpleaser breathes new life into the girl-becomes-woman genre.

Charlie brown's return to the big screen, 25 years after the last Peanuts feature, is sure to charm and delight both newcomers and fans of Charles M. Schulz's iconic comic strip.

The latest in the Star Wars saga has been put to the George Lucas test - and it passed.

The night Before reunites director Jonathan Levine with his 50/50 crew, Joseph Gordon-Levitt and Seth Rogen, in a chaotic and raunchy comedy that takes place over one Christmas Eve in New York City.

If a teaser for Batman v Superman: Dawn of Justice whet your appetite, the full-length trailer will have you on the edge of your seat.

Fans of the 1990s children's horror series Goosebumps will be thrilled with the first film adaptation of author R.L. Stine's popular series. Briskly paced, it also retains the balance of comedy and creepiness from the books.

Two great veteran actors from either side of the Atlantic do their best with frustratingly uneven material in the new film by Sorrentino, whose The Great Beauty won last year's foreign-film Oscar.

The Guardian reported that in the UK, 87 per cent of cinemas showed the live screening, surely the biggest audience in history for a Shakespeare play.

Somehow, this next generation Rocky spin-off delivers a fresh, exciting boxing drama all its own.

When writer-director Leslye Headland presented her second feature film, Sleeping with Other People, at the Sundance Film Festival, she described it as "When Harry met Sally for assholes". Turns out, that's an apt description.

You don't have to like cycling to find yourself leaning into the corners on The Program.

A budding young writer in need of life experience finds the perfect muse on the streets of New York; a sophisticated, older French woman who suggests they have a "cinq-a-sept", an affair that takes place between the hours of 5am and 7pm.

More than once in Michael Almereyda's playfully imaginative telling of the famous Stanley Milgram experiment, the film's subject walks through the corridors of Yale University musing direct to camera as an elephant lumbers by in the background.

When the Argentinian thriller The Secret in Their Eyes walked away with the 2010 Oscar for best foreign film.

This is reportedly the most expensive Bond movie ever. It's also the longest Bond film ever. It isn't however the best Bond movie ever - or of the Craig era either.

A coffee-break conversation at a climate-change conference in Wellington in 2006 was the beginning of this small but accomplished doco.

An exceptional cast of three Oscar nominees, with some wins between them, work hard to elevate a plodding script to more than a TV movie of the week, but it's a tough ask.

Any film about Malala Yousafzai, the courageous Pakistani girl shot by the Taleban in 2012, would be inspiring.

The first fruit of a co-production agreement between Australia and India, this cross-cultural love story follows a formulaic and predictable path.

Dynamic and passionate, thrumming with barely suppressed anger, this sleek American indie has the brains of a documentary, the soul of a moral fable and the beating pulse of a thriller.

Calling this latest collaboration, by director Noah Baumbach and star and co-writer Greta Gerwig a whirlwind of witty observations about the entitled middle class, is an understatement; it's a tornado.