British ski jumping Olympian Michael Edwards maintains little of the material is factual in this comedic biopic about his heartwarming rise to fame.

In a better world a film about Mavis Staples should represent her prime time, however in this inspiring documentary she is 76.

Evocative animated account gives us a new way to commemorate Gallipoli.

This movies has a satirical take on life as a war correspondent and requires Fey to move through gears from serious to funny and absurd.

Any concern that Disney has messed with Rudyard Kipling's classic tale with this live action remake are dispelled just by the trailer.

But to the extent that Deschamps' film tells us anything about the food, it does so only in the style of a corporate video that seems close to a puff piece.

Latest Disney offering is important, intellectual and hilarious and should be seen by young and old.

A lack of tension and a cyclical plot does little to draw you into this lacklustre third outing, and leaves you wondering if you even care about the fate of Tris and her mates.

The technical accomplishment on show delivers something watchable that goes a long way towards compensating for an ending that's non-existent.

By general consensus, Barack Obama has authorised about 10 times as many drone attacks as his predecessor; the death toll from drone strikes is now higher than that of 9/11 and many of the dead have been innocent civilians, including women and children.

When you watch Sherpa you have an advantage over the documentary film-makers who shot it: they never knew what was coming.

Snow White and the Huntsman from 2012 was a visually stunning but ponderous fantasy drama, best known for the real-life adulterous tryst between director Rupert Sanders and his Snow White, Kristen Stewart.

This may be yet another animated animal movie, but, though it has its share of adorable furry characters, there's a lot more to this cartoon crime caper.

'Wilderpeople' is a truly unique film that could only be made in New Zealand, and may be our best yet.

The runaway local success of Boy sure made it a hard act to follow. Could a local film ever hope to find as big an audience again? Could its creator, Taika Waititi, ever hope to tap a nation's funnybone with such precision in another film?

Third time around and you may think the gag about a bumbling panda being a Kung Fu master is wearing thin, but no, Po is as entertaining as ever.

Producer J.J. Abrams sure knows how to release a film. In 2007, he launched a mysterious trailer for an unnamed sci-fi film at a Transformers screening, creating a buzz that saw Cloverfield, as it was soon to be known, collect just over US$170 million.

In the stark, filmic landscape that lies beyond the Oscars, there is nothing but badly CGI-ed tumbleweed.

Ralph Fiennes couldn't make a bigger splash if he tried, rampaging through director Luca Guadagnino's relationship drama.

The things you learn at the pictures. Had I not seen Sacha Baron Cohen's new film, I might have gone through life sublimely unaware of the word "bukkake", let alone the concept. That may have been no bad thing, of course.

The latest offering from the inimitable Coen brothers is Hail, Caesar!, a goofy love letter to the golden age of Hollywood.

Soap opera melodrama and visual effects wizardry combine in a mythical Egyptian fantasy adventure - and it's an uncomfortable mix.

The first local release of the year is an impressive adaptation of Witi Ihimaera's 1994 novel Bulibasha: King of the Gypsies.

It has taken me a while to process things in the aftermath of Zoolander 2.

The story of the Sonderkommando, the "special units" of Jewish prisoners in Nazi death camps forced to assist with the exterminations of the Final Solution, has been little-told in the cinema.

If you liked the arched eyebrow of the dowager countess at Downton Abbey, you just have to get a load of this.