But to the extent that Deschamps' film tells us anything about the food, it does so only in the style of a corporate video that seems close to a puff piece.

Latest Disney offering is important, intellectual and hilarious and should be seen by young and old.

A lack of tension and a cyclical plot does little to draw you into this lacklustre third outing, and leaves you wondering if you even care about the fate of Tris and her mates.

The technical accomplishment on show delivers something watchable that goes a long way towards compensating for an ending that's non-existent.

Melissa McCarthy has been hilarious in the Paul Feig directed films Spy and Bridesmaids. And her character in The Boss shows the same aptitude for physical comedy, profanity and forwardness. Only this time, it's not so funny.

By general consensus, Barack Obama has authorised about 10 times as many drone attacks as his predecessor; the death toll from drone strikes is now higher than that of 9/11 and many of the dead have been innocent civilians, including women and children.

When you watch Sherpa you have an advantage over the documentary film-makers who shot it: they never knew what was coming.

Snow White and the Huntsman from 2012 was a visually stunning but ponderous fantasy drama, best known for the real-life adulterous tryst between director Rupert Sanders and his Snow White, Kristen Stewart.

The runaway local success of Boy sure made it a hard act to follow. Could a local film ever hope to find as big an audience again? Could its creator, Taika Waititi, ever hope to tap a nation's funnybone with such precision in another film?

Third time around and you may think the gag about a bumbling panda being a Kung Fu master is wearing thin, but no, Po is as entertaining as ever.

Before seeing a preview of this superhero superclash, reviewers were advised multiple times not to put spoilers out into world ...

This American film starts off as as swords and sandals detective story, with Jesus the missing person, before defaulting to a hollow gospel drama.

Producer J.J. Abrams sure knows how to release a film. In 2007, he launched a mysterious trailer for an unnamed sci-fi film at a Transformers screening, creating a buzz that saw Cloverfield, as it was soon to be known, collect just over US$170 million.

In the stark, filmic landscape that lies beyond the Oscars, there is nothing but badly CGI-ed tumbleweed.

The latest offering from the inimitable Coen brothers is Hail, Caesar!, a goofy love letter to the golden age of Hollywood.

Soap opera melodrama and visual effects wizardry combine in a mythical Egyptian fantasy adventure - and it's an uncomfortable mix.

The first local release of the year is an impressive adaptation of Witi Ihimaera's 1994 novel Bulibasha: King of the Gypsies.

It has taken me a while to process things in the aftermath of Zoolander 2.

The story of the Sonderkommando, the "special units" of Jewish prisoners in Nazi death camps forced to assist with the exterminations of the Final Solution, has been little-told in the cinema.

If you liked the arched eyebrow of the dowager countess at Downton Abbey, you just have to get a load of this.

Director Christian Ditter has already tackled rom-coms with British film Love, Rosie, but in How to Be Single he goes from riffing on one relationship to wrangling a clutch of them, with the ensemble piece getting the better of him.

Viewed from here, where American football remains, for most of us, a curiosity, this film about a doctor who challenged the sports-entertainment industrial complex behind the game is something of a revelation.

The elderly actress said the film was "glorious". Deadpool stars Reynolds as the snarky anti-hero from Marvel Comics.