Album review: Ryan Bingham, Fear and Saturday Night
This 33-year old Americana/alt. country singer who played the Tuning Fork last year with his new band has a road-hardened, bourbon'n'catarrh voice which belies his years.
This 33-year old Americana/alt. country singer who played the Tuning Fork last year with his new band has a road-hardened, bourbon'n'catarrh voice which belies his years.
The Foos have given a lot of love to New Zealand over the past 20 years. Chris Schulz examines the proof.
Is it an album, or is it a mixtape? That's the big question surrounding this surprise weekend release from Drake, the Canadian rapper due in New Zealand for the first time this Monday.
I'm going to say it right now: I'm not going to see the cheesy-snore-fest Twilight-fan-fiction film Fifty Shades of Grey.
The Wachowski siblings will always be known as the masterminds behind The Matrix series, and with Jupiter Ascending they deliver another ambitious and elaborate science fiction adventure.
I see TV3's out looking for that damned elusive X factor again. The search might go on forever, but it'll never really be about who wins. It'll always be about the judges.
Auckland Theatre Company's season-opening comedy this year is a black slapstick that crowds in some favourite old gags - you know before they begin how they're going to turn out, but the comfortable....
A day after seeing Thriller Live at Auckland's Civic Theatre, I'm still trying to work out what exactly it is.
Those of you familiar with the X-Factor format will know it runs on a pretty basic formula.
Stories about shocking pink taffeta ballgowns, drinking Baileys at the Open Late Café and seeing Dave Dobbyn at the Gluepot; this audio tour shamelessly mythologises Ponsonby in the 1980s.
The artworks of Michael Parekowhai grace many city venues, but their beauties and ironies are silent.
About 20 minutes into this electrifying, often terrifying documentary, the film-maker shows for the first time the man we have come to know as Edward Snowden.
If hype, 'likes' and advanced ticket sales are any indication of success, box offices around the world will get a boost this weekend with the release of the much anticipated adaptation of author EL James' "mummy porn" phenomenon, Fifty Shades of Grey.
If there was a missing link between 60s girl groups, California surf-pop, 90s skater rock and Taylor Swift's assertive pop-sassiness it might be this lo-fi band helmed by singer-guitarist Melissa Brooks from Southern California.
Recently, guitarist Chris Eldridge said Punch Brothers wanted people to make time for this album and peel back its layers. Indeed.
Back in 1998, there was one game that ruled them all. With its stellar storytelling and twisted sense of humour, Grim Fandango soon overpowered Indiana Jones and the Fate of Atlantis and Day of the Tentacle as every budding adventurer's game of choice.
Bob Odenkirk nails it as hapless hero Saul Goodman in Better Call Saul.
Local playwright Victor Rodger has followed up last year's revival (Sons) and premiere (At the Wake) with a new play that brings a light touch to tragedy.
Michele Hewitson writes: Aside from the infuriating filler games, Our First Home is hokey and insincere and has more holes in it than the floorboards in the crappy do-ups on offer.
The media and public fascination with Stephen Hawking has, it seems to me, always been driven by a mixture of infantilising sentimentalism and morbid curiosity.
Given the civil rights subject matter, the greatness of Martin Luther King as the man at the centre of the story, and relevance today it's surprising Selma isn't a bigger, flashier film.
No one should be surprised by this 36th studio album from 73-year-old Dylan being standards.
The sweeping, swooning, beautifully melodramatic world of Father John Misty's latest album is quite a thrill.
Over several mixtapes and two New Zealand live appearances, Joey Bada$$ has proved an incendiary talent.
It felt like Mikky Ekko had come out of nowhere when he featured on Rihanna's 2013 hit Stay. Now the American singer-songwriter is introducing his own music with debut album Time.
As french as croissants aux amandes and so extravagantly theatrical that you can practically smell the greasepaint in the cinema, this small and goofy French comedy follows the struggles of a young teenager to come to terms with his sexual identity.
Entertainment is a funny business, especially when it's not that funny at all. Take, for instance, The Missing, a new British television drama series that launched on TV One on Sunday night in both terrific and dreadful style.