They don't build monuments to critics but this doco about a celebrated L.A. food writer is something to savour.

COMMENT: Who knew bipolar disorder was so damn funny? Not me. But then I'm not a doctor. I can barely diagnose a suitable parking space ...

It's nww surprise these albums by Bob Dylan (who turned 75 yesterday) and Eric Clapton (71) don't have much, if anything, to do with rock.

Emerging in the 1980s, the Blue Man Group is a curious hybrid of neo-Dadaist happenings blended with acid-house video-lighting effects

Like its predecessor, it's a visually stunning and imaginative film, but fails to woo emotionally.

David Farrier climbed into a story you would never buy if it was fiction.

COMMENT: Doco Why Am I? unravels vast findings from Dunedin study following 1000 babies born in 1972.

COMMENT: Veteran film-maker Bryan Bruce delivered one of NZ's worst hours of television last night, as he took a ''rambling, incoherent" look at NZ's school system.

This is more of an illustrated lecture than a play; our presenters are purportedly two members of the first successful Everest expedition, but we don't really get to know them properly.

A familiar voice sang on the opening scene's soundtrack of The Catch, (Wednesdays, 7pm, TVNZ OnDemand).

The problem with The Block Party is while the acts were excellent, everything else was plagued with problems.

Back in 2004, when he was visiting this country, Steven Isserlis told me categorically that Elgar and Walton had written two of the finest cello concertos of the 20th century.

Until last year 'competitive forklift driving' sounded like a TV idea Alan Partridge would have pitched to the BBC's Chief Commissioning Editor along with 'inner-city sumo' and 'monkey tennis'.

James Blake's new album is a spellbinding mixture of glorious vocals and spare electronica, which somehow manages to play in the dark side of life while also remaining light and free

It's no spoiler to say that the title character of this powerfully affecting true-life drama dies at the end.

Anohni here fully embraces her femininity and leaps straight into brittle and often dazzlingly appropriate electronica.

The crux of the game is shooting demons and running out of ammo. Constantly.

Eve de Castro-Robinson introduced her Karlheinz Company programme as music that was vivid, visceral and singular.

This Tadpole production is an endearing tale of marital betrayal, more entertaining than one might expect for a romantic dramedy more than 40 years old.

COMMENT: The sad fact is that, after the events of this week's episode, there isn't any real threat in Game of Thrones at all any more.

Bird puns abound in the latest transfer from computer game to big screen.

Alienation is a gorgeous isometric twin-stick shooter with elements of Diablo which is engaging, addictive, and great fun.

After a 5 year gap between albums the music remains captivating. And just as anxious and as heartbreaking too.

The Angry Birds Movie exists because the video game franchise has been a phenomenal success since its release in 2010.

Whatever Elba is doing in Bastille Day, at least he does it well, which is more than can be said for many others involved, who struggle with the lacklustre script.

Courtroom drama has a peculiar capacity to grip an audience.

Bramwell Tovey's Time Tracks was a blunt, noisy launch for the New Zealand Symphony Orchestra's Aotearoa Plus, its annual concert of "cutting-edge contemporary".

COMMENT: TVNZ OnDemand's scheduling has reached a new low - but it was always just a matter of time, writes Calum Henderson.