![Theatre reviews: Shot, Bro and Brown: It's complicated](/pf/resources/images/placeholders/placeholder_l.png?d=795)
Theatre reviews: Shot, Bro and Brown: It's complicated
Real-life experiences depicted with humour, intensity and relevance.
Real-life experiences depicted with humour, intensity and relevance.
Auckland Philharmonia Orchestra's Final Symphony was a marketing triumph, selling out its first performance and occasioning a Saturday night re-run.
It's getting harder and harder to do new things with horror.
As a spoof or spy movie, you have to say this about Keeping up with the Joneses - it sure can't keep up with those Smiths.
Soprano's star status guarantees local release.
TJ McNamara finds an exhibition which breaks the mould of an artist's former works
If Shideh wasn't already feeling demonised enough. She's a liberal-minded woman living in Tehran during the final years of the 1980s Iraq-Iran war.
British actor Guy Masterson shows why he is a master of solo performances.
Opera double-bill is a refreshing reminder of the art form's rich potential.
Ouija: Origin of Evil is a familiar story but Flanagan throws in just enough creepy and witty twists to keep you interested in how it turns out.
For all its classy production values, Café Society isn't as invigorating as Woody Allen's top-notch work can be.
Is this the comeback album Kings of Leon needed?
Creative excellence and exquisite performances close this year's Tempo Dance Festival.
Does Priscilla, Queen of the Desert still wear the crown?
The death of Janet Moses is a sad, difficult story, however the crime docu-drama Belief tells it with poise and clarity.
Rodney Bell's Meremere is a beautifully crafted hour of beguiling story-telling through dance.
The eight expert players of the London Conchord Ensemble delivered a high-minded Friday night variety concert.
Dame Kiri Te Kanawa's Aotea Centre recital was a courageous undertaking for the 72-year-old soprano. It was an evening of some entrancement.
Freeing the Memory is one of the large standout images on display at Artweek.
A CD that well and truly proves Polish music is more than Chopin mazurkas and the 1960s radicalism of Krzysztof Penderecki.
Funny Girls sparkles with promise and frequently delivers piercing insight and always a wild charisma and energy, but it also has issues.
As the 2014 Oscar-nominated anthology Wild Tales showed, Argentinean cinema does like its black comedies.
It's ten years since Tom Hanks first played the dull but exceedingly well-read Robert Langdon in The Da Vinci Code, and seven since he did another lap of art-history orienteering in Angels and Demons.
Auckland Philharmonia Orchestra delivers an evening with a mood of celebration.
Beautiful and thought-provoking show is exquisitely staged and marvellously theatrical.
If a guy orders a tall pint of milk on the first date it's probably not a good sign.
George Bernard Shaw was sometimes sceptical of composers' motives in writing requiems.
VOU Dance Fiji invokes traditional ceremony and ritual.
It's not difficult to get swept up and away by Great Fire of London musical.
NZSO describes its annual Bold Worlds: New Frontiers concert as an exploration of contemporary international repertoire and its connections.