Director puts human face on racial intolerance and does so with plenty of heart.

Karl Puschmann puts Nintendo's new two-in-one console to the test.

It's been 13 years since Natalie Portman promised a band would change your life.

Sunday has become a rare bird, keeping its head down while others go extinct.

Trolls, dancing and cake make Peer Gynt absurd, smart and funny, says Janet McAllister.

La Soiree is a spiegeltent spectacular thanks to three amazing acts, writes Raewyn Whyte.

The storm clouds swirling above the open roof of the Pop-up Globe seemed to hold a mirror to the wild passions unleashed in the staging of Othello.

Cloud Gate Dance Theatre's highly polished RICE is a performance to sit back and absorb.

The Biggest is a highly entertaining journey into male identity, says Paul Simei-Barton.

A play about Shakespeare in prison avoids clichés, writes Janet McAllister.

Dance work 21 Movements reflects on torrid 21st century, writes Raewyn Whyte.

Theatre reviewer Janet McAllister has a mixed night out at the fringe festival.

Broadchurch is tackling a new crime this season with boldness and bravery, writes Duncan Greive.

Reviewer Dione Joseph leaves Pop-up Globe's Henry V with a new favourite play.

Respighi's third suite of Ancient Airs and Dances made a welcoming overture for the APO.

As TVNZ resurrects Sensing Murder, a format change makes a bad show even worse.

William Dart finds the NZSO's collaboration with the Modern Maori Quartet has mixed results.

A night on the Floating Theatre makes for an enchanted evening, writes Janet McAllister.

Dance show Castles shows maybe life's mosaic of experiences are difficult to fathom.

Theatre review: Paul Simei-Barton takes a look at the Pop-up Globe's latest production.

William Dart reviews the APO's latest concert.

The Pop-up Globe reminds us the Bard knew a thing or two about entertainment, writes Paul Simei-Barton.

Bruce Springsteen showed the crowd who was the Boss at Auckland's Mt Smart Stadium.

Disappointment with one CD turns to delight for William Dart who is alerted to a composer most of us should get to hear.

Theatre reviewer Janet McAllister takes a theatrical trip to the supermarket.

This is a dance show worth rushing to be part of, writes Raewyn Whyte.

The component parts of Carl Bland's surreal mystery play present a cornucopia of theatrical delights.

Auckland Philharmonia Orchestra launched its main New Zealand Herald Premier series with John Rimmer's Vulcan, a fanfare it commissioned 18 years ago.

Provocative play prompts us to think before we speak.

As a lapsed Catholic I'm always keen on a tale that documents the folly, arrogance and optimism of religious conversion and missionary