The 9th Floor offers the gift of hindsight
Duncan Greive reviews the RNZ series The 9th Floor.
Duncan Greive reviews the RNZ series The 9th Floor.
Rhys Nicholson's new show is a sparkling, rapid-fire hour of comedy.
Our hip hop dancers continue to show why they're the world's best, writes Dione Joseph.
The Big Show offers some of the best value laughs at the Comedy Festival.
Romesh Ranganathan could barely contain himself when hecklers took over his show.
Never judge a book by its cover. William Dart finds you shouldn't do the same with a CD.
It aims to be the Lean In for the Instagram age but Girlboss isn't a power player.
Veteran dancer Jennifer De Leon defies injury to keep moving, writes Raewyn Whyte.
Neil Oliver returns with his poetic turn of phrase.
This fiercely feminist story of a woman's journey to adulthood not for the weak of stomach
It was one of TVs most provocative shows but how did Girls go out?
Chewing Gum is a glorious Frankenstein of some of the best comedies in recent years.
What if Kendrick Lamar got really mad? We've been asking, and we just got our answer.
In a year shaping up to be excellent for games, Persona 5 is here to steal your heart.
Funnyman Leigh Hart is back - and more ridiculous than ever.
You've got to be confident to call your debut album, "Do Not Open". Or stupid.
John Campbell is back on the small screen as Checkpoint makes its television debut.
Contrasts in music and movement makes for delightful dance work, writes Raewyn Whyte.
The late James McNeish sets out the subject of his final book right from its opening line.
William Dart finds a Kiwi take on the songs of Shakespeare is not so sweet.
Orchestra rocks with special guests and power of David Bowie's song, writes William Dart.
Mixing comedy and music with science is meant to make us more interested in the latter.
If you want a band to soundtrack a looming apocalypse, you won't go wrong with Mastodon.
Frustrated by small talk? Then Weaves is theatre for you, writes Janet McAllister.
Interview-derived show offers surprisingly eloquent take on shared sense of identity.
Problematic acoustics compromise a stirring presentation of Bach's St John Passion.
COMMENT: The Hui changed the narrative on a major story this week, writes Duncan Greive.
John Adams' Shaker Loops deserved to headline the Great Masterworks concert.