Summer boogie in the middle of winter
Josh Homme shimmied, jived, wiggled his hips and got straight into it.
Josh Homme shimmied, jived, wiggled his hips and got straight into it.
True life story finds fun and offers depth for those who seek it, writes Janet McAllister.
A story about a girl that followed a road that wasn't there is a school holiday delight.
Sir David Attenborough and his team return with Planet Earth II.
A tribute to Richard Nunns, this CD makes for compulsive listening, writes William Dart.
Jekyll and Hyde is theatre like you've probably never seen before, writes Dionne Christian
Kane Strang has come a long way from the lo-fi bedroom alt-rock on his debut.
Haim's brilliant songwriting is clouded by invasive electronic flourishes.
A TV show about wrestling? Stop, wait, no, come back, writes Alex Casey.
The APO did a stellar job of bringing the magic of Harry Potter alive.
Versatility, virtuosity and artistry are on show in the NZ Dance Company's latest work.
TLC's new album should keep fans happy but is it a major comeback?
What does DJ Khaled do? His new album answers that crucial question.
The first film was great, the second a dud. So how's the third film in the Cars franchise?
Two surprising Matariki shows use music to express new ideas, writes Janet McAllister.
A superb Brahms and curiously stylish Ravel worth a listen, says William Dart.
There's so much happening on Melodrama it's hard to take in, but once you do it's amazing.
SZA goes down the rabbit hole of losing control, and you'll want to go with her.
If you're still sitting on the fence, Crack-Up probably won't change your mind.
The play Jane Doe is an insightful and powerful look at rape culture, writes Ethan Sills.
London Grammar have a heavy amount of expectation weighing over them.
Do yourself a favour and chill out with Ladi6's new album.
If you've already torn your hair out over The Witness, Rime will feel very familiar.
Does this make up for the lack of action by The Black Keys lately? Erm, well, no.
Chris Schulz reviews the good, bad, and plain weird from throwback show I Love the 90s
He's been here plenty of times, but tonight was different. DJ Shadow was here to have fun.
Despite muddled moments, Relaxer is saved by its overarching stability.
Baywatch is the most ridiculous film ever, but somehow, it's still really enjoyable.
Bryson Tiller's latest album is missing all the swagger from Trapsoul.