Is there such a thing as too lit? One fan found out at Lil Yachty's first Auckland show.

The new Attitude series In My Mind deserves a better timeslot, writes Duncan Greive.

The APO's Ibragimova Returns was ample reward for the expectation.

NZ On Screen's Nicky Harrop profiles the work of one of our most innovative directors.

Auckland's one and only comic dance troupe takes to the floor with a disco hit.

The story behind The Exponents made for electric Sunday Theatre viewing.

There was no shortage of passion in Auckland Philharmonia Orchestra's presentation.

Nicky Harrop reflects on some of The Exponents' many memorable moments.

Josh Homme shimmied, jived, wiggled his hips and got straight into it.

Sir David Attenborough and his team return with Planet Earth II.

A tribute to Richard Nunns, this CD makes for compulsive listening, writes William Dart.

Nicky Harrop revisits some of NZ's kids show theme tunes.

Jekyll and Hyde is theatre like you've probably never seen before, writes Dionne Christian

Kane Strang has come a long way from the lo-fi bedroom alt-rock on his debut.

Haim's brilliant songwriting is clouded by invasive electronic flourishes.

Forget about boasts over big beats. This is a confessional - and it feels real.

Calvin Harris' new album is really good, but could all that star power hurt him?

A TV show about wrestling? Stop, wait, no, come back, writes Alex Casey.

TLC's new album should keep fans happy but is it a major comeback?

What does DJ Khaled do? His new album answers that crucial question.

The first film was great, the second a dud. So how's the third film in the Cars franchise?

Two surprising Matariki shows use music to express new ideas, writes Janet McAllister.

A superb Brahms and curiously stylish Ravel worth a listen, says William Dart.

There's so much happening on Melodrama it's hard to take in, but once you do it's amazing.

Early performances in the Pacific Dance Festival show vibrant heritage, says Raewyn Whyte.

You could be forgiven for thinking Witness might have actually been good.

SZA goes down the rabbit hole of losing control, and you'll want to go with her.

If you're still sitting on the fence, Crack-Up probably won't change your mind.

The play Jane Doe is an insightful and powerful look at rape culture, writes Ethan Sills.

London Grammar have a heavy amount of expectation weighing over them.