Theatre review: Blonde Poison
What would you do? Question lies at the heart of superb drama, writes Paul Simei-Barton.
What would you do? Question lies at the heart of superb drama, writes Paul Simei-Barton.
15-year-old Billie Eilish is a new name in pop but one you're going to want to remember.
Josh Homme knows how to play Devil's Advocate on Queens of the Stone Age's new album.
Season two of Top of the Lake goes even deeper than the first.
Nell Gwynn is a highly recommended night at the theatre, writes Janet McAllister.
What's Jane Campion's point with characters in Top of the Lake, asks Greg Bruce.
US composer Copland's symphonic masterpiece is gloriously restored, writes William Dart.
Painted Ruins is a generous, expansive record with secrets to tell.
COMMENT: Richardson's "oafish, larrikin chat" is setting clock back, writes Alex Casey.
Discomfort is the new normal when it comes to TV as Greg Bruce discovers.
They say the best revenge is living well. If that's the case, Kesha just won the war.
Dizzee Rascal had backed himself into a corner, now, he's come out fighting.
Old Tricks New Dogs breathes new life into a dance show, writers Raewyn Whyte.
Series is powerful platform for confronting everyday sexism
Modest turnout of moviegoers enough to capture No 1 spot in a month.
William Dart finds himself longing for the Kronos Quartet to channel Jimi Hendrix.
A strong Kiwi debut and a poetic study of masculinity; check out our latest NZIFF reviews.
A UK reality show's huge success is a mystery wrapped in a phenomenon.
Emotion-as-drug tale off-theme toward end but more than enough here to satisfy.
Charlize Thereon kicks butt in Atomic Blonde, and it's close to being a knockout.
Tremendous Sea of Love is an unusual, honest album - but it's carried by a sense of hope.
Victor Rodger's revival of 2002 play packs a powerful punch, writes Ethan Sills.
Hit and miss, inconsistent and all over the place - is exactly what makes it so exciting.
Talented young storytellers promote positive attitude, humour and a touch of martial arts.
A long wait, some awkward dads and some serious girl power.
Mozart professed not to like the flute but this CD suggests otherwise, writes William Dart
Lana Del Rey might be a witch after all - her new album's worked some kind of voodoo.
Foster the People still haven't quite worked out how to follow their breakout single.
Did you want another does of bratty skate-punk rap? Sorry, it ain't happening.