JT may have Supplies, but none of them have helped save his new album.

Culture II could have been anything - but it shouldn't be 24 tracks and 105 minutes long.

TVNZ's new series Liar makes for deeply uncomfortable viewing, writes Alex Casey.

After four years, Okareka Dance Company's Wired was worth the wait.

Forget petty cheap-shots, Camila Cabello dealt to the haters in a better way.

Young and Menace was trash, but Mania managed to bring FOB back from the brink.

Theatre-goers enter a labyrinth in a tribute to a city landmark.

A reader spotted this alarming sign on the southern motorway

Pop up Globe brings robust treatment to one of Shakespeare's most controversial works.

There were some excellent films released in 2017 - and then there were these stinkers.

After a year of bad news, The Greatest Showman could be the balm you need.

No wonder he's rapping about butts - Eminem's just squeezed out his worst album in years.

William Dart reviews Auckland Philharmonia Orchestra's Celebrate Christmas.

Tim Roxborogh says McCartney's Auckland performance was "profound. Profoundly fun too."

William Dart rounds up his top classical music CDs for 2017 in time for Xmas gift buying.

His first of two shows felt both intimate and grand in exhibition - and the crowd loved it

There's very little not to like about musical comedy Two Hearts, says Paul Simei-Barton.

They played impeccably to a sold out crowd, but there's an obvious problem with Alt-J.

Greg Bruce takes a look inside the latest Black Mirror and is disquieted by what he sees.

A Midsummer Night's Dream is the perfect primer for summer theatre in Aotearoa.

Sia brought her unusual live show to Auckland last night.

Is Harry Styles Gen-Y's version of Bowie or Jagger? It's a big call, but hear me out.

The crowd riled up screaming anti-police chants across the arena.

Paul Casserly on Ken Burns' latest doco epic The Vietnam War.

After clunky start, musical's tempo keeps on rising.

William Dart reviews Auckland Chamber Orchestra's final concert of the year.

Auckland Philharmonia Orchestra and the Dust Palace craft magic from music and movement.

Requiem for the Fallen, superb choral tribute to Kiwi sacrifices on European battlefields.

Evanescence is back giving old hits a weird electro-orchestral revamp...but why?

Don't Give It Up is a total summer stunner. How does the rest of their new EP measure up?