
Album review: Julia Deans, We Light Fire
We Light Fire sustains a delicate nuance over its ten tracks.
We Light Fire sustains a delicate nuance over its ten tracks.
Chris Parker's show Camp Binch is theatrical comedy that leaves you inspired.
It's 125 years old but play Mrs Warren's Profession still has plenty to say about sex work
REVIEW: Design series better than most reality junk, says Calum Henderson.
We review the debut album from a local goth-pop prodigy.
Estere's latest album is fresh, unique and it's well worth exploring.
Rhys Nicholson's show 'Seminal' is fast and energetic, but ends up somewhere beautiful.
Moshpits, beers in the sky, air guitars - this was as good as a winter rock show can get.
Not everyone can afford to spend 55 hours of their life watching Game of Thrones...
David O'Doherty will make you laugh - and re-evaluate your life choices.
Everyday moves create strangely familiar always beautiful performance, says Raewyn Whyte.
Infinity War is pretty awesome but...has the MCU become a victim of its own success?
There's no such thing as a new idea when it comes to our current TV schedules.
It's April but NZSO concert sees one of the year's best performances, says William Dart.
One sensed justifiable pride when APO CEO announced Enigma concert had drawn a full house.
If you're planning on seeing The Wizard of Ōtāhuhu, I'd get booking.
Here and Now festival shows plenty of potential, writes Ethan Sills
Janet McAllister sees a gentle Maori fantasy drama part of season of plays by new artists.
The choral work Gallipoli to the Somme is a fine addition to NZ works inspired by WWI.
APO's international commission a first time success, writes William Dart
Pippi Longstocking brings many fun moments for kids wanting school holiday theatre fun.
Comedy remake Splitting Up Together is weird, but there are encouraging signs.
What happens when a pop princess goes country? It's a mixed bag.
Invasion of Privacy has so many good songs it already feels like a Greatest Hits album.
You'll need to buddy up to play A Way Out properly. And it's a better game for it.
2018 has seen TVNZ take new risks - including letting Matt Heath loose, live on-air.
The unruffled classicism is an effective foil for the emotions of Mahler's Symphony.
The contours of the story are familiar but it is told with humour and sincerity .
Drugged-out cult fascists attacking you with flamethrowers - this game gets tough.
Two plays at the Basement show the variety of work on offer at dynamic Auckland theatre.