Here and Now festival shows plenty of potential, writes Ethan Sills

Janet McAllister sees a gentle Maori fantasy drama part of season of plays by new artists.

Perfect

As Seven Sharp takes more risks, The Project is turning its back on chaos.

The choral work Gallipoli to the Somme is a fine addition to NZ works inspired by WWI.

Pippi Longstocking brings many fun moments for kids wanting school holiday theatre fun.

APO's international commission a first time success, writes William Dart

Comedy remake Splitting Up Together is weird, but there are encouraging signs.

What happens when a pop princess goes country? It's a mixed bag.

2018 has seen TVNZ take new risks - including letting Matt Heath loose, live on-air.

The unruffled classicism is an effective foil for the emotions of Mahler's Symphony.

The contours of the story are familiar but it is told with humour and sincerity .

Drugged-out cult fascists attacking you with flamethrowers - this game gets tough.

Two plays at the Basement show the variety of work on offer at dynamic Auckland theatre.

President Trump called to congratulate her on the series return. But is it worth watching?

Mastodon and Gojira proved themselves to be two of the world's best metal acts right now

Auckland production of Mamma Mia! is an experience to remember, writes Dione Joseph.

George Ezra sounds boxed in by his own positivity on his second album.

The Basement Tapes keeps audiences guessing, writes Paul Simei-Barton.

Voices New Zealand Chamber Choir's sonic silo a seductive experience, says William Dart.

Dance work Tender is the Night has its own stark charm, writes Dione Joseph.

Arranged is the perfect palate cleanser after the grubbiness of MAFS.

Auckland Arts Festival could not have wished for a more festive finale.

Us/Them is about tragedy, yet jet black humour ensures you'll continue to think about it.

Terrace House, Japanese reality franchise is a surprisingly difficult show to describe.

The Far Side of the Moon still appealing to audiences, 20 years after it first played.

Silo Theatre's Body Double gives a feminist take on sex and desire, says Janet McAllister.

Bringing together a number of Kiwi musical talents, The New King is a rewarding listen.

Stone Temple Pilots are best when they're weird. But their new album isn't weird enough.

With a roster full of stars, and Snoop, UFC has the best striking engine ever