Tami Neilson takes on the patriarchy with more sass than we've ever seen.

New Zealand's Thomasin McKenzie shines in this feature from the director of Winter's Bone.

Mammoth weaves a story of extinction, survival and hair together in a neat whole.

Giordano Bellincampi launched APO's Beethoven 7 concert with a welcome taste of Danish.

The Chairs is a strange linguistic experiment but also a rather bizarre cultural one.

COMMENT: Sharp Objects is a compelling yet uncomfortable watch.

Odette's To a Stranger is a strong debut, let down by a lack of variation.

Teyana Taylor's album could've been great, but was Kanye's project the right time for it?

The Royal New Zealand Ballet delivers a show with panache and impeccable timing.

The Basement Theatre celebrates Matariki with two very different plays worth seeing.

Anna Murray revisits all of the 7pm offerings to decide who reigns supreme.

NZSO and conductor Harth-Bedoya came to town with a curious (and rather short) programme.

Murky depths of Jacobean drama are chillingly illuminated in Michael Hurst's production.

Give Derren Brown this: he knows how to get attention.

150 years after Little Women was released, the story is, depressingly, still relevant.

The evening was entitled Brahms & Tchaikovsky, but NZ composer Gareth Farr shone.

Weber's F minor concerto might have been written to showcase this man's talent for lithe.

The programme opened with three chorale preludes from Bach's Orgel-buchlein.

Auckland Chamber Orchestra captures those who catch the spirit of NZ in music. music.

Forget DWTS, The Great NZ Dance Masala is the plucky little dance show that could.

More is lost than is gained by the rewriting exercise.

A turning point in global history is told in rich compelling play, says Dionne Christian.

Goodbye Naughton, ended week one of Pacific Dance Festival 2018 with rousing cheers.

Performers shine in Silo Theatre's production of "Cellfish", writes Dione Joseph.

'A Gambler's Guide to Dying' is a gently humorous night of theatre, says Paul Simei-Barton

Yorick! is a rousing celebration of living the best life you can, writes Dionne Christian.

Lily Allen's authenticity shines through once again on her new album.

Smith's assured debut delivers one classic after another.

He called one contestant a "catfish" and others "possums". Then came the slut-shaming.

After weeks of watching Season 2, Megan McArdle still has no idea what's going on.