Opera review: La boheme not to be missed
Poignancy and pathos perfectly balanced in must-see La boheme, writes William Dart.
Poignancy and pathos perfectly balanced in must-see La boheme, writes William Dart.
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Orientation is a bluntly sexy and modern play which adds to the New Zealand story.
Cradle Song has shudders and screams but also sensitive reflections on horror real story.
The New Zealand Symphony Orchestra takes the show on the road.
Dancers' polish and panache makes for potent story from Black Grace Dance Company.
Bloom is full of yearning, I just didn't think it would leave me feeling the same way
Things just got wonderfully weird and insanely impressive at Pink's show.
Greg Fleming reviews the latest from Michael Robotham, Caroline Kepnes, and others
William Dart sings the praises of NZ Symphony Orchestra's Edo de Waart.
Chicago greeted with rapturous applause by a captivated audience, writes Ethan Sills.
Passenger is back and he's exactly the same as ever. Which is not a good thing.
Footnote Dance Company performs with verve and commitment in latest dance works.
Story of star-crossed lovers told with emotional urgency and exquisite singing.
TV adaptation of popular film series is one of the more satisfying spin-offs you'll find.
Indian Ink play Mrs Krishnan's Party offers timely reminder of theatre's power to connect.
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New Aussie-noir series examines the historical ineptitude of Sydney police.
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Pianist Henry Wong Doe soars with Rachmaninov's popular Second Piano Concerto.
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New York playwright Taylor Mac's Hir is a powerful and provoking piece of theatre
A wryly observed dissection of where humanity comes into politics.
No mucking about in this high-stakes European drama, writes Calum Henderson.
Triplets reuniting should be a happy story. In Three Identical Strangers, it's shocking.