
Classical review: APO shows power and brilliance
APO performs two 20th century masterpieces with zest, writes William Dart.
APO performs two 20th century masterpieces with zest, writes William Dart.
Bradley Cooper sounds great - but it's Lady Gaga who steals the show.
Boo'd Up has been a 2018 anthem - but what else does Ella Mai have to offer?
Thinking about buying Starlink? Here's all you need to know about the toy-based game.
City of 100 Lovers is a big-budget musical now resident show at SkyCity but will it last?
Chamber Music New Zealand finishes 2018 on a friendly note, writes William Dart.
COMMENT: New series breaks all the rules of reality television - and is the better for it.
Tempo Dance Festival ends on emotional note as Douglas Wright's cancer battle is revealed.
Watching people watch TV - what's that like? Calum Henderson turns on the Gogglebox.
Cat Power's tenth album is a reassuring, replenishing listen.
Cellist Johannes Moser's performance is one of the highlights of 2018 concert year.
Split across two nights, Kotahi opened the Tempo Dance Festival.
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Ever wanted to let completely loose? This is the album to help you do it.
REVIEW: APO underscores its reputation with Russian composers.
Amy and Stu have won this season of The Block NZ.
NzTrio play fine tribute to female composers, writes William Dart.
Veteran Kiwi playwright Stuart Hoar has crafted a stimulating drama.
Lack of a non-commercial channel means that much local content is forced to the margins
Tash Sultana plays every single instrument on the star's debut record.
The programme reflected the musicians' Russian homeland.
COMMENT: As the teams stagger towards auction night, here's six things we've learned.
Poignancy and pathos perfectly balanced in must-see La boheme, writes William Dart.
Story of survivors acting a Simpsons episode leaves little space for genuine awe and fear.
The Kooks' new album is almost indistinguishable from their previous records.
Eminem is no doubt a great rapper, but is Kamikaze proof that's no longer enough?
The New Zealand Symphony Orchestra takes the show on the road.
Dancers' polish and panache makes for potent story from Black Grace Dance Company.
Orientation is a bluntly sexy and modern play which adds to the New Zealand story.
Cradle Song has shudders and screams but also sensitive reflections on horror real story.