Should you stare at Gogglebox?
Watching people watch TV - what's that like? Calum Henderson turns on the Gogglebox.
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Latest fromEntertainment Reviews
Assassin's Creed: Odyssey is epic and endless
You'll do so much, for so long. And that's just the intro. Welcome to Odyssey.
Is this Australia's answer to Lorde?
A new singer/songwriter on the scene could be Aussie's Lorde.
Cat Power's new record is beautiful, meditative wander
Cat Power's tenth album is a reassuring, replenishing listen.
Classical review: NZ Symphony Orchestra
Cellist Johannes Moser's performance is one of the highlights of 2018 concert year.
Three into one does go, and brilliantly, at dance festival
Split across two nights, Kotahi opened the Tempo Dance Festival.
The Good Place remains TV's best place
Here's one of the funniest and most easily enjoyable shows on TV right now.
This album is what freedom sounds like
Ever wanted to let completely loose? This is the album to help you do it.
Classical Review: Russian Tales, APO
REVIEW: APO underscores its reputation with Russian composers.
Yellow into gold: Block NZ's Amy and Stu win $169,500
Amy and Stu have won this season of The Block NZ.
Classical review: NZTrio, Braid
NzTrio play fine tribute to female composers, writes William Dart.
Engaging, dramatic mix when Kiwis meet Isis
Veteran Kiwi playwright Stuart Hoar has crafted a stimulating drama.
Brockhampton in Auckland: A rap show like no other
Matching outfits, co-ordinated dance moves and an acoustic ballad. Get ready for chaos.
Album review: Josie Moon, Rose Tinted
Rose Tinted is a cohesive EP, full of razor-sharp hooks and cutting emotional musings.
What is TVNZ for?
Lack of a non-commercial channel means that much local content is forced to the margins
Album review: Tash Sultana, Flow State
Tash Sultana plays every single instrument on the star's debut record.
Sublime quartet dive deep into Russia's soul
The programme reflected the musicians' Russian homeland.
Six lessons we've learned from The Block
COMMENT: As the teams stagger towards auction night, here's six things we've learned.
Opera review: La boheme not to be missed
Poignancy and pathos perfectly balanced in must-see La boheme, writes William Dart.
Review: Post-apocalyptic play a slow burner
Story of survivors acting a Simpsons episode leaves little space for genuine awe and fear.
Album review: The Kooks, Let's Go Sunshine
The Kooks' new album is almost indistinguishable from their previous records.
Did Eminem peak 16 years ago?
Eminem is no doubt a great rapper, but is Kamikaze proof that's no longer enough?
Asian affair marks a coming of age for local theatre
Orientation is a bluntly sexy and modern play which adds to the New Zealand story.
Cradle Song theatre team create a chilling thriller
Cradle Song has shudders and screams but also sensitive reflections on horror real story.
Plenty to love in Classical Hits
The New Zealand Symphony Orchestra takes the show on the road.
Dance review: Black Grace highlights danger of toxic masculinity
Dancers' polish and panache makes for potent story from Black Grace Dance Company.
Troye Sivan's Bloom might break your heart
Bloom is full of yearning, I just didn't think it would leave me feeling the same way
Album review: Blood Orange, Negro Swan
Dev Hynes returns with a richly rewarding fourth album.
Ten reasons why The Big Bang Theory is the worst
COMMENT: The end of The Big Bang Theory cannot come soon enough, writes Anna Murray.
Review: Pink's razzle-dazzle, insane, fun house party
Things just got wonderfully weird and insanely impressive at Pink's show.
Book reviews: Crime fiction round up
Greg Fleming reviews the latest from Michael Robotham, Caroline Kepnes, and others
Stravinsky and Rachmaninov in NZSO duet
William Dart sings the praises of NZ Symphony Orchestra's Edo de Waart.
Chicago razzle dazzles Auckland audience
Chicago greeted with rapturous applause by a captivated audience, writes Ethan Sills.