The antagonism is still there and Alison Mosshart and Jamie Hince let it ricochet off one another.

These New York art rock oddballs have quite a pedigree to uphold following three of the most twisted, yet captivating, albums of the past decade.

After the uncharacteristically sanguine Happy Go Lucky, the master of bleak British social realism returns to downbeat form in a film whose confusions of perspective are perhaps provocatively deliberate.

The sinewy riffs, slightly breathless beats, and squally Eastern psychedelia influence of Window Rattle off Distance From View is the perfect example of how instrumental music can take a mundane image and make it magical.

Unabashedly commercial, outrageously predictable, this blockbuster French rom-com, is also irresistibly self-confident.

Based on the book by Berkeley Breathed, this 3D sci-fi adventure is another performance-capture animation from Robert Zemeckis, the producer of Polar Express, Beowulf and A Christmas Carol.

This modern-day remake of the 1981 classic romantic comedy Arthur should be well received by fans of Russell Brand; what fans of the original film starring Dudley Moore will make of it is another matter.

Bruno Mars' enamoured young crowd sings his lyrics right back at him, but none with more conviction than "I think I wanna marry you".

E.T.: The Extraterrestrial and the funny-looking aliens in Close Encounters of the Third Kind have been given a run for their money in the peculiar guise of Paul, a potty-mouthed ode to Steven Spielberg's sci-fi epics.

Mixing reality and fantasy with little help given to the reader makes an odd book - but it's no lemon.

It would be very easy in these economically grim times to write novels casting bankers in the harshest of lights - simple moustache-twisting pantomime villains.

Chomet's follow-up to his idiosyncratic The Triplets of Belleville is a wistful animated valentine to the days of the variety entertainers that is also a kind of love story.

In the liner notes Elvis Costello says this album should be counted alongside the finest of Simon's career (now reaching almost 50 years).

Aaron Neville saying he's been changed is hardly news and nor is his soulful, vibrating falsetto, which is given a florid showcase in the long intro to the gospel-cum-R&B opener Stand By Me.

An extremely enjoyable period drama that speculatively fills in the gaps in the ignored life of a sidelined sibling, this independent French production achieves miracles on a reportedly tiny production budget.

Just Go With It is a good way to approach this average romantic comedy from long-time collaborators Adam Sandler and director Dennis Dugan (Happy Gilmore, You Don't Mess with the Zohan).

The past catches up with the present to potent and sometimes shattering effect in this moving French film that hints at the wartime horrors it revisits without ever explicitly depicting them.

Somehow Dave Grohl's second famous band went from his post-Nirvana solo outing to stadium giants.

With some of the momentum of the Clean, urgent droning vocals and pure psychedelic guitar jangle, this debut EP by Auckland-based three-piece Ghost Wave touches a lot of familiar places.

Copenhagen in the early 1990s. Bernardo Greene is a patient at a Clinic for Torture Victims. In his native Chile, he'd been tortured for two years by the Pinochet regime.

Julie Orringer’s first book, a stunning short-story collection entitled How To Breathe Underwater, was a New York Times notable book.