Do you tire of the people who always bang on about how much better the book was than the movie? Well, you can rest easy if this James Bond yarn is ever committed to screen.

Photographer extraordinaire Bill Cunningham makes his living in the thick of the action.

Graham Reid reviews the latest album from Seattle trio, The Cave Singers.

He's a bit of a mysterious one, that Jolyon Mulholland, whose back-lit spiral-haired silhouette evokes a certain album cover by the Rolling Stones.

Urge Overkill were touring mates with Nirvana and Pearl Jam but their increasingly power pop sound took them to a mainstream audience.

Peter Calder gives his view on the latest corporate movie, The Company Men, starring Ben Affleck and Tommy Lee Jones.

Jeffrey Foucault uses his strong, dark brown, assured voice to show his takes on life, loss and love in his new album 'Horse Latitudes'.

I'm All Right, Jack meets Nine to Five in this macaron-light French comedy, which springs from dated material - a wildly popular play written in the 80s and set in the 70s - but reshapes it with an ironic modern eye.

Back in the 90s when local rock music was dangerous, Head Like A Hole were the most dangerous of all - and early on they did it naked. New album, Blood Will Out is potent, fun, and dangerous.

Rednecks are very chic. You might qualify as a redneck when you can spit without opening your mouth, your wife weighs more than your refrigerator or you've ever shot somebody over a mall parking space.

If a nuclear war wipes out civilisation, then all that will remain are the cockroaches and Lemmy, proclaims a Motorhead fan at the beginning of this film.

Miami rapper Pitbull likes to call himself Mr Worldwide, and on this album it looks like he is looking for the title Mr Connected.

Auckland-based Hollie Fullbrook spins a delicate web of warm, but wintry stories on her debut album, Some Were Meant For Sea.

Accompanied by wailing violins, chilling minor chords and pained brass, most of the tracks on 'Last' sound like they could be the sound track to some thriller about a lonely child.

Much like fellow soul sisters Lauryn Hill and Erykah Badu, Jill Scott is not as prolific as you'd like someone with her talent to be.

Listening to this Canadian band - who have the best band name in the history of music - is like having a really good hangover headache.

Following the stunningly spare 2008 debut, For Emma, Forever Ago, it's not as if he's come up with a tour de force folk record as a follow-up.

The 2010 winner of the Grand Prix, Cannes' no 2 award, this haunting and masterful French film was inspired by the slaughter, by Islamist terrorists, of seven French Trappist monks near their monastery in Algeria.

Politically incorrect and with a badass heroine and cynical tone, Bad Teacher takes its title inspiration and a lot more besides from the film Bad Santa, which starred Billy Bob Thornton.

There's a reason Beyonce Knowles is one of the richest women under the age of 30 (just). She knows how to shake it, she knows how to sell it, but most of all, she knows how to sing.

The first outing for Rapace since her role of Lisbeth Salander in the Millennium trilogy is a family story in more ways than one.

These days, children are used to monsters popping out of screens in 3D, but coming face-to-face with a brachiosaurus is something else.

Significant Lilburn music finally makes it to CD, but the whole story is still to be told.

Unsensational, intimate and quietly passionate, March's meticulously observed examination of the crisis facing the small atoll of Takuu is an object lesson in patient documentary film-making.

Male-female duo the Cults seem to want to dispel some of the connotations of their badge "new indie-pop band from New York".

The latest album from the youngest son of the late Nigerian rebel and music maker Fela Kuti is co-produced by Brian Eno, and while Afrobeat is well past its heyday, this sounds fresh and resonant.