The title makes the heart sink. The American habit of adding "William Shakespeare's" to Romeo and Juliet or specifying "Berlin, Germany" so we won't think they're referring to any of the 21 small towns so named in the US is infuriatingly self-absorbed.

Equal parts Fellini and Woody Allen, Di Gregorio's follow-up to 2009's Mid-August Lunch doesn't have quite the same freshness - it's slightly less compact, despite its short running time - and is more contrived than the earlier film.

Sometimes in metal and heavy music circles the use of keyboards can sound contrived - and even a little lightweight and wimpy.

In New Zealand, the Roots are known as an alternative hip-hop outfit - and in their 20-year reign they have made some of the finest, and most intelligent music to come out of that genre.

Wellington's freakiest six-piece embody the notion of psychedelia on their sophomore album.

On the face of it, news that nu-metallers Korn were dabbling with dubstep sounded like the worst kind of bandwagon jumping imaginable.

Vile invites you into his world with his seemingly stream of consciousness lyrics, self-deprecating optimism on life and a no-gimmicks-required songwriting ability.

Oscar Kightley witnessed Run-D.M.C. play The Powerstation in Auckland on 18 November 1988.

Somehow, on last year's Brothers record, Dan Auerbach and Patrick Carney of the Black Keys managed to sound like two stealth slackers. It had that swaggering, hip-hop-influenced blues rock sound that has become their trademark over the past 10 years.

If you're really going to celebrate a 10-year birthday, as Damon Albarn's cartoon band the Gorillaz are doing, then surely a deluxe double-disc collection of songs is the best way to go?

After four films and four happy endings, the Shrek franchise may have come to an end but the wonderfully entertaining spirit lives on thanks to its scene-stealing feline.