
Theatre review: Cannonball, The Basement
A one-person show imported from the Melbourne Fringe Festival offers a deliciously weird piece of surrealistic satire served up under the watchful gaze of a black raven.
A one-person show imported from the Melbourne Fringe Festival offers a deliciously weird piece of surrealistic satire served up under the watchful gaze of a black raven.
He's cheeky, that Dizzee Rascal, and not afraid to indulge in a bit of harmless self-promotion.
King Lear is a fine choice for a celebration of Summer Shakespeare's 50th year, and a production featuring some of our most distinguished practitioners delivers a stirring tribute.
Filmed over four years in 25 countries, Samsara is pure cinema of the highest order.
Nominated for five Oscars and winner of Best Foreign Film, this French drama is a thing of perfection
The film career of actor/writer/producer Seth Rogen is a curious thing
Friends from way back make magic music, writes Paula Yeoman.
Linkin Park delivered a polished show but reviewer Chris Schulz wished they would break loose from the shackles of their old hits.
Does the Russian meteor make the backyard blue-cheese "asteroid" in A Night to Dismember easier to swallow?
It was an astute piece of marketing on the part of the New Zealand Symphony Orchestra to launch its 2013 season with Tan Dun conducting his Martial Arts Trilogy.