Tenacious D's jokes didn't have the subtlety for an 80 minute set but they made up for it with musical talent and charisma, Lydia Jenkin writes.

I had an awful dream, the sort of thing television critics can suffer, and in it I imagined a new TV series.

Jonathan Fuller's Music Box was a trippy welcome to Karlheinz Company's Sunday concert.

You've got something special if you can appear on stage in a red leather suit with matching cap and glasses and still come off as charming.

After starring in several big blockbusters in a row, Dwayne "The Rock" Johnson attempts something a little mellower with this moderately entertaining action drama.

The beautiful poster for Norwegian ocean epic Kon-Tiki, a stronger piece of art than the poster for Life of Pi, will draw a sizeable audience even before people have seen the trailer for this classic adventure tale.

Following his starring role in American sleuth drama Lie to Me, British actor Tim Roth is back in cinemas, with his talent writ as large as the screen itself.

Sarah Lang looks forward to the third series of a sitcom that is proving one out of the box.

Auckland Philharmonia Orchestra's Splendour series has taken a slightly different approach from previous years.

Patua means "to hit, kill, subdue, ill-treat", and writer-director Renae Maihi bravely takes on the subject of child abuse in the 75 nicely paced minutes of this, her second play.

Spring Breakers sees a couple of ex-Disney Channel actresses, clad in bikinis and obviously keen to shed their wholesome reputations, head to Florida to party for the spring break holiday.

Dwayne Johnson is obviously keen to put his wrestling moniker "The Rock" behind him in his first serious dramatic role in this crime thriller.

With a script by Ethan and Joel Coen, and an attractive cast and a clever premise, this comedy has all the parts required to be a success, but it turns out this gambit is harder to pull off than you'd think.

Powerful acting from a top-rate cast, including an artlessly charming newcomer, and a steady and confident directorial hand elevate what might have been a run-of-the-mill piece of British suburban miserabilism into something quite special.

After proving himself the modern master of the blockbuster with 2009's Star Trek reboot, J.J. Abrams returns to helm the eagerly awaited sequel, which stands in the shadow of the best-regarded Trek film of them all, 1982's Star Trek: The Wrath of Khan.

This British dramedy squanders its fine actors. Vanessa Redgrave plays Marion, an outgoing cancer patient determined to stay in the local choir.

TV's latest comic book hero unexpectedly pierces Nick Grant's cynical shell.

The biggest game in town is Michael Parekowhai et al at Michael Lett. It combines the talents of an artist and a collective.