After upping the ante considerably with 2011's Fast Five, everybody's favourite street racers return for another big-budget mixture of fast cars and furious action.

Kiwi directors Mark Albiston and Louis Sutherland hail from the fine tradition of making acclaimed short films before moving on to the coveted first feature.

Sarah Lang finds the latest TV sci-fi offering sadly lacking.

As the Nazi machine gathers steam in Germany, Swedish newspaper editor Torgny Segerstedt (Jesper Christensen) writes rhetorical invectives denouncing Nazism.

Samoan Language Week runs until Samoan Independence Day on June 1, so the season of this bilingual play set about Mau - the non-violent Samoan independence movement - is timed very nicely.

It is never difficult to find contemporary events that point to the relevance of Titus Andronicus, but Shakespeare's reflections on the extremes of human cruelty are given particular poignancy by the recent murder of a young soldier on a London str

An Israeli drama directed by Nadav Lapid, Policeman is a peculiar beast that unfurls in fits and starts, yet never fulfils its dramatic potential.

After a commercially successful but critically derided Part II, The Hangover gang returns to try to make things right for the finale marketed as "The End".

Based on the excellent eponymous novel, this political thriller is set in 2011 as anti-government protests and police brutality flare in Lahore.

Nick Grant steels himself to travel down memory lane.

Every two years, Auckland Philharmonia Orchestra presents a concert of half-a-dozen workshopped compositions in a specific genre.

New York four-piece Vampire Weekend have never seemed lacking in inspiration or momentum.