Jerome Bel's The Show Must Go On is not so much a dance show as a show about dance. Its conventions, constructions, its expected forms, are mostly stripped away.

When Douglas Wright sets his stage with a big grey wall, it's a wall with an enigmatic, palpable life of its own.

Russell Baillie reviews the first night of Australian singer-songwriter Paul Kelly's Auckland Arts Festival season.

Rajendra Prasanna comes from generations of Indian master musicians. On Tuesday, thanks to him and his three colleagues, a rapt audience fell under the spell of a music in which time itself seemed almost to stand still.

Robert Redford says he is planning to launch a four-day version of the Sundance Film Festival in London.

The 42 Indian musicians of The Manganiyar Seduction work their wiles in the glare of red and light-bulbs, piled up in a grid inspired by Amsterdam's red-light district.

Wildlife artist Chris Gaskin spends hours drawing the intricate patterns on a bird.

Martha Wainwright describes her look as "ageless" - she is poised on the stage dressed like a school-girl with hair all wispy like her grandmother's.

Maguy Marin's landmark work, celebrating 30 feted years of continuous performance, begins with the sculptured forms of its ten dancers, posed in dusty alabaster-like desertion.

Teatro de Los Andes, based in Bolivia, offered to stage their "earthquake play" here instead of La Odisea, but were turned down for logistical reasons.

If you are looking for a show that is funny and uplifting, it is unlikely that you would settle on something that has interminable and suicide in its title.

Named by Rolling Stone magazine as one of 50 moments that changed the history of rock and roll.