Exhibitions that run during the Auckland Arts Festival should have some special factor that lifts them above the run of the mill.

One of Auckland's best-known streets, Dominion Rd, will be sharing some of its history in a unique way this weekend.

Screens filled with red clouds at dawn start this contemporary circus with hip-hop styling, but instead of a shepherd's warning, they herald a city delight.

The Scottish National Theatre makes an exuberant return to ale-house culture with a riotously funny and at times tenderly lyrical tribute to Scottish narrative ballads.

This rich 1999 experimental classic from China is stylish, hip, humorous, streetwise - and hopelessly romantic: under youth's swagger are youth's desperate illusions.

We had come to the Civic Theatre to hear Haydn and Mozart from Kronos Quartet; in partnership with pipa virtuoso Wu Man, the Americans were offering a rare mingling of music and magic.

Micahel Hurst dons the Fool costume for King Lear, three decades after first tackling the role. By Barney McDonald.

The cover of Max Emanuel Cencic's Venezia says it all. The Croatian countertenor is all elegance, in dinner jacket and cravat, in front of an ornate wallpaper that might adorn the walls of a Venetian palazzo.

Around 100,000 people are expected at Western Springs Lakeside Park in Auckland today for the annual Pasifika festival.

Auckland Art Gallery director Chris Saines leaves next week for Queensland after 17 years of working towards the gallery’s expansion and rejuvenation. But he’ll be back one day, he tells Linda Herrick.

Pictures from the opening night of the Auckland Arts Festival performance by French pyrotechnical wizards Groupe F

Artist Ralph Hotere, who died last week, has been immortalised by a street artist in Auckland.

Just go see this. French pyrotechnical wizards Groupe F offer a superlative, splendiferous, explosive extravaganza. Artistic director Christophe Berthonneau and his team, and Red Leap Theatre, are to be congratulated.

Walking tours - especially those guided by a remote, apparently all-seeing, all-knowing central HQ - are full of tantalising possibilities: where will I be going? How will I know how to get there?

Cantina opens with a velvety voiced crooner promising to "shoot the moon right out of the sky" and honours that with an exhilarating acrobatics display set in the seductive ambience of a 1920s speak-easy.

Pacific Les Mis musical hugely leavened by romance, humour and funky 70s style