William Dart review: Auckland Choral's Messiah acts as a reminder of humanity
REVIEW: Auckland Choral’s annual performance of Handel's Messiah.
REVIEW: Auckland Choral’s annual performance of Handel's Messiah.
William Dart: A spectacular launch for Bach Musica NZ’s final 2023 concert
APO launched its Beethoven’s Violin concert with a home-grown stunner.
Languorous emotional outpourings were the order of the evening.
OPINION: The conductor stamped his distinctive mark on the performance.
'Sadly, this is a common problem for me and my fellow professional musicians.'
Might Rachmaninov’s Symphonic Dances become too familiar in our concert halls? Never.
Napier Civic Choir’s numbers will be swelled by students from Hastings Boys’ High School.
The Gondwana Chorale showed its consummate polish in a cappella offerings.
There is so much to admire in Neil Ieremia’s production of (m)Orpheus.
From radical to blissed-out, three-night Immerse festival proves delectable experience.
Tayla Alexander never dreamed the duet could land her a multi-million dollar deal.
An evening of fun and tenderness from the Auckland Philharmonia.
Excellence assured for one of the highlight's of the musical year.
Michael Hill International Violin Competition comeback welcome, finale high-calibre.
From their first performance together, the two artists shared an instant connection.
This opera has always been tricky territory with its sexual politics.
The orchestra clearly enjoyed Ernest Bloch’s vivid palette.
One of the world's finest singing ensembles performed at Holy Trinity.
There was a certain charm in the brevity of these miniatures, says William Dart.
Joanna Foote’s effortless ornamentation has lost none of its charm.
William Dart reviews Bach Musica NZ concert.
The New Zealand Chamber Soloists have a distinguished track record.
OPINION: William Dart reviews the Auckland Philharmonia Orchestra concert.
'Nessun Dorma!' The singer complained that 'elevated noise' caused undue anxiety.
Two NZ choirs enjoy the opportunity to work under the celebrated American composer.
Macbeth springs to life with powerhouse performances.
Sprightly woodwind injected high spirits into a dancing second movement.
The conductor talks to Elisabeth Easther.
William Dart reviews APO concert