A Tongan artist is critiquing artificial intelligence while using the technology in her heritage art form of ngatu tapa.
A Tongan artist is critiquing artificial intelligence while using the technology in her heritage art form of ngatu tapa.
Auckland’s Tui Emma Gillies’ artwork includes tapa cloth (decorated bark cloth) with contemporary elements of geometrical designs featuring a floral and feminine touch.
Gillies’ ancestors’ artistic legacy has reached national and international levels including the National Maritime Museum, Auckland War Memorial Museum, Grassi Museum in Germany, the National Gallery of Victory in Melbourne and Pick Museum of Anthropology in Illinois in the US.
Her first solo exhibition, View from the Deep, is calling upon the potential threats of living with AI, showcasing climate change and technology taking over the world.
She was experimenting with AI, satisfying her curiosity about what her visual art would turn out to be when she found the “creepy” side of her creative explorations.
“What I can say is that I found the experience at times quite terrifying.
“Visually, everything seemed to tend further and further towards the reptilian and I found that if this creator without a soul bore any resemblance to biological life, it was to the reptilian world.”
Tui Emma Gillies' original art piece that created the AI image above. Image / Supplied
She gives an example of the Lavender tool, a software technology reportedly used to identify targets during the Israel-Hamas war.
Gillies says when it comes to AI, humans need to be careful and just back away.
“As a species, we need to look at how far we want AI to be controlling our lives, and whether have we got enough time to stop it before it becomes out of control.”
Tui Emma Gillies at her exhibition in Christchurch with Ngatu Tapa covered in spheres. Photo / Supplied
She encourages people to be aware of AI through her artwork to show what it produces because it’s concerning how far humans can rely on this technology.
She believes human greed and complacency are fast-tracking climate change, destroying biodiversity and the fragile ecosystems it creates, and supporting the ways of AI to get rid of the mortal world.
“Will it get [to] a point where climate change will be affecting everything and we‘ll be asking it, [can you help us save the world] and what if it’s too intelligent by then?”
Tui Emma Gillies's original artwork on tapa cloth.
Gillies says AI can help, but will never be able to take over natural artistic vision.
“My heritage art form is in my DNA, it’s been practised for centuries, I don’t see AI getting that intelligent - and I liked the natural fibre of my work.”
The exhibition will be up at Fibre Gallery, 285 Cashel Street, Level 1, Christchurch Central until May 24th.
Paridhi Bakshi is one of 12 cadets in the Te Rito journalism programme, which has a focus on training more culturally diverse reporters to ensure newsrooms reflect Aotearoa’s multicultural society. Paridhi is proud of her Indian roots and has a special interest in sharing migrants’ stories.
