Noakes was the fixer; unhurried, comfortable and almost immaculate in the way he ran his playbook.
There must be something about Eden Park that flicks a switch in first-fives condemned as journeymen.
The legend of Stephen Donald was made in Auckland, and last night, Chris Noakes, whose arrival at the Blues was greeted with universal disbelief, surely took a giant step towards winning at least the hearts, if not the minds, of those who had all but written him off. The caterpillar ripped open its cocoon and an unexpectedly beautiful butterfly emerged.
Quality performances were everywhere for the Blues: Charlie Faumuina didn't stop running; Peter Sailii took the gainline; Piri Weepu directed like he was born to do just that job and Rene Ranger probed and pushed, found space where there really didn't appear to be any.
There wasn't a dud, and yet the whole thing wouldn't have come to much - the endeavour would have gone unrewarded - had it not been for the composure and accuracy of Noakes. He was the fixer; unhurried, comfortable and almost immaculate in the way he ran through his play-book.