Midway through the new film Ronaldo, a vanity project that both buffs and elucidates the extreme ego of the great Portuguese footballer, the eponymous protagonist contemplates what will improve the fortunes of his national team.
Cristiano Ronaldo is fighting for fitness ahead of the 2014 World Cup, concealing from the public the seriousness of an injury he will ultimately overcome to play a negligible part in Portugal's disappointing campaign.
"I'm not going to lie," he explains, stressing the importance of his participation in Brazil, "if we had two or three Cristiano Ronaldos in the team I would feel more comfortable."
It's a minor moment repeated throughout the documentary, a 102-minute love letter to one of the two best footballers of the current generation. While the film contains a level of verisimilitude, there are plenty of gaps in the narrative.
The audience is led to believe, for example, that Ronaldo - a man who has dated a small armada of models and who recently replied "a few" when asked if he had a "new special someone" - lives like a monk. Ronaldo is shown waking alone, a doting father to his 5-year-old son, of whom he has sole custody and raises without, apparently, the aid of hired help.