A stepped path leads to the main home, surrounded by gardens, barbecue, decks and a a pool. The self-contained studio is on one side.
The Arts and Crafts movement adhered to principles of permanence, honesty, simplicity and beauty. Like the gate-house, the home is built of thick concrete with a tiled roof, hand-adzed jarrah beams and bespoke iron joinery crafted at the neighbouring Crittal window factory (which became The Steelworks).
The front of the house was originally loggia-style, being partially open before previous owners filled openings with French doors and a bank of bifold windows to enlarge the living area. (A 1981 Historic Places Trust Category-II classification means future owners must work with the Trust on any modifications affecting its heritage value). The resulting front dining/sitting room includes a window-seat overlooking the pool and a gas fire. Behind it is a cosy lounge with built-in sofa alongside a wood-burning fire. Downstairs is the kitchen, with wide oven and dishwasher beside original wooden benches, and the main family bathroom.
The family's industry means countless lines have been crafted and rehearsed in the home's dappled light. "In-house" performances have been given by many, including the late Frank Whitten (Outrageous Fortune) and Scottish actor John Cairney, dress rehearsing before performing for the Queen Mother in London.
There are two to three bedrooms downstairs depending on whether you want an office, and a fourth currently used as an edit suite. Chapman-Taylor built the upstairs master suite with strikingly beamed ceiling and little balcony as his photographic studio. The large matai-floored room has an en suite and original double cupboards.
Aileen has always wanted to live in the country and thinks now is the time for a new chapter in her life.