If one must explore Crossover Crescent, then Mediterraneo is a harmless enough dalliance.
Christina Pluhar has solid cred in Early Music circles, but her latest album, leading her group L'Arpeggiata from her theorbo, is sadly soft-sell.
"The sea does not separate cultures, it connects them," her liner notes tell us and 19 tracks spanning from Portugal to Turkey end up sounding as if they have all come from the same musical casserole.
The five vocalists, one per country, are easy enough on the ear, floating tunes over the various prettified and discreetly funked-up arrangements.
The honeyed tangle of guitar, harpsichord and psaltery predominates, pepped up by exotic solos on cornett, qanun, lyra and the like, innocuous enough to provide pleasant wallpaper for the ears whilst munching on tapas, gnocchi or dolma.