“I had to find a lift that went that high - and all the lifts were at the stadium [construction site],” says Faimalo.
“We had to make do with the biggest we could get and then there were time restrictions on that. I was doing like 14-hour days just to get as much as I could done with that,” says Yikes.
“I had to get abseiling to do the top part of it.”
Artist Jacob Yikes resorted to abseiling to complete his 55m high mural.
Photo / George Heard
The difficulties continued.
“I was planning to project the image on [to the building] because, just the whole nature of that mural, that was the best way to attack it.
“And then we had somebody call noise control on us on that night that I was painting it and had to basically shut it down,” says Yikes.
The 2025 Flare Festival has added 15 pieces of street art to Christchurch CBD – New Zealand’s most significant collection. Faimalo says the visiting artists were in love with the city’s works.
“They were like, ‘Christchurch is the hub, this is the place that I want to be’,” says Faimalo.
Cantabrians had feared that the rebuild would see ornate architecture replaced by grey walls after the 2010-11 earthquakes.
“I had the same sort of fear really, like, it’s gonna be a visually boring city,” says Yikes – who now views the rebuilt city as a blank canvas for street art.