The Little Paris Bookshop
By Nina George (Little Brown)
I loved the idea behind this novel but found the execution cheesy. Admittedly a good sort of cheese, a runny brie or a ripe camembert rather than a processed, plastic-wrapped slice; but it won't be to everyone's taste. Jean Perdu runs a literary apothecary in a barge moored on the Seine. There, he prescribes reading to treat the emotional needs and troubles of his customers. For more than two decades he has been living with a broken heart, after being abandoned by beautiful, headstrong Manon, the only woman he has ever loved. When he discovers the truth about why she left, the bookseller unmoors his barge and sails off towards Provence -- accompanied by a pair of cats and a growing cast of eccentrics -- to face up to the mistakes and heartbreaks of his past. The tone is overwrought, the writing flowery and the plot somewhere between far-fetched and outright ridiculous. But it's not all bad. Hamburg-based novelist George does capture the romance of books, there is pleasing gentle humour, amusing characters and lots of French-ness to appeal to Francophiles.
Between You & Me: Confessions Of A Comma Queen
By Mary Norris (Text)
These are hard times for the stickler. The advent of texting and social media has meant transgressions of grammar, punctuation and spelling have reached an all-time high. Solace is to be found in this little book, part memoir and part treatise, by a long-time copy-editor at that last bastion of high standards, the New Yorker. Norris writes affectionately of her colleagues and work, and fiercely about anything to do with constructing a sentence. She cares passionately about where the hyphens are meant to go and has plenty to say about them. Some of her rules of sentence structure were new to me, I have to admit, and I even after re-reading her explanations, I'm not sure if I entirely understood all of them. This is a celebration of the skill of the copy-editor, the importance of knowing when to touch a phrase and when to leave it alone, the delights of consistent style and absolute accuracy. It is about old-fashioned values and respect for language. And, fortunately, Norris is as warm, mischievous and funny on the subject as she is pedantic.
Made In Italy
By Silvia Colloca (Penguin Random House)