Herald rating: ***
(Sony)
Review: Russell Baillie
The soundtracks of his films often give the impression that Martin Scorsese spends his post-production time running between his record collection and the editing suite. The album accompanying his latest, a Taxi-Driver-in-a-Manhattan ambulance opening here next Thursday, is no exception.
Apart from R.E.M.'s What's The Frequency Kenneth, it shows Scorsese hasn't bought a record since Raging Bull. Oh well, he still likes the Clash (Janie Jones, I'm So Bored With the USA), Johnny Thunders (You Can't Put Your Arms Around a Memory), the Who (Bell Boy), as well as a fair dollop of vintage soul (Van Morrison, Martha Reeves and the Vandellas, the Marvelettes).
And he makes amends for his one lapse in taste - the inclusion of UB40 snorer Red Red Wine - with the inclusion of one terrific obscurity, the Cellos' Rang Tang Ding Dong (I Am A Japanese Sandman), a doo-wop ditty that's plain kooky.
Various - <i>Bringing Out the Dead soundtrack</i>
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