This explosive new volume of short stories should carry some sort of warning, an emotional equivalent to the Beware of Death stickers that now envelop cigarette packets. Prepare for Pain, perhaps. Airini Beautrais' Ockham award-winning short story collection, labelled "not for the fainthearted" by one reviewer, appears about as confrontational
Tracey Slaughter's Devil's Trumpet is a vivid short-story collection
Slaughter writes with sharp sensory force. In "Warpaint", the pub accommodation allocated to the ageing rocker of the tale is viewed through her jaded eyes in forensic detail, from her bedroom's "bolt-on sink with a brown mouth stamped Royal Doulton" to the crowd "flocking in, trimmed with chem-straightened hair and jeans you couldn't crowbar off".
At times, the collection's vivid, visceral prose is so tightly clipped and pruned that it lifted me out of the narratives. In combination with the relentless emotional bombardment that the characters endure, it was occasionally exhausting. But when it was all over, I found I was unprepared to leave; I wanted more.
The end of this collection arrives like the end of a war. Everyone left standing is supposed to go home, but nobody is intact, and nobody feels like they won anything. Which is perhaps as it should be. In Slaughter's book, life is a battlefield. And although "Devil's Trumpet" may boast no winners, survivors it has in spades.
Devil's Trumpet, by Tracey Slaughter (Victoria University Press, $30)
Reviewed by Rachel O'Connor
Rachel O'Connor is the author of Whispering City, set in Salonika on the eve of World War I. A longer version of this review will appear on www.anzliterature.com.