SwipeNight also looks to take advantage of their facility with the raw material of pop culture.
"They speak in gifs, they react in emojis, they talk in stories," said Elie Seidman, the chief executive of Tinder, of 18-to-25-year-olds, who already make up more than 50 per cent of the app's user base.
Tinder allows users little space to provide information about themselves on their profiles. That can lead to a particular shortage of subjects to discuss. On Tinder, Seidman said, approaching strangers is much easier than it is offline. "But you get to the next thing, and there's no context," he said. "What's the context? 'Oh, you're also on Tinder.' 'Like, yeah, obviously.'"
Tinder has traditionally been viewed as a predate experience. SwipeNight looks to collapse some elements of a first date — the mutual experience of some diversion — into its platform.
Episodes of SwipeNight will be available on Tinder on Sundays in October from 6pm to midnight in a user's time zone. For now, the show will be available only to Americans.
The choice of day is no accident. Tinder has long seen a surge of user activity on Sundays. But Seidman said that SwipeNight was not an effort to compete with the traditional entertainment that dominates that night, like Sunday Night Football or HBO's flagship shows.
A rough cut of the first episode of SwipeNight was reminiscent of J.J. Abrams's 2008 movie, Cloverfield. The show was directed by Karena Evans, 23, best known for directing the Drake music videos Nice for What and In My Feelings. Her experience with music videos, which fuse art and marketing, as well as her age, made her a natural choice for the SwipeNight project.
"She came in with a very specific idea of what it looked like, how these characters should talk, what the experience should feel like, what the narrative is," said Paul Boukadakis, the vice president of special initiatives at Tinder.
The company declined to say how much Evans was paid for the project. Variety reported that the SwipeNight production had a budget of more than US$5 million. A Tinder spokeswoman said that figure was inaccurate but would not say whether that meant it was low or high.
Seidman said the project had been "a major effort," between the creation of the content and product development that had taken the better part of a year.
SwipeNight represents a significant gamble for Seidman, who has run Tinder for two years. He has overseen its growth as it has solidified its position as a leader in the dating app category, thanks to its thriving subscription business. (Seidman was previously the head of OKCupid.)
He said that he did not feel his head would be on the chopping block if SwipeNight failed but that there was of course some tension in waiting to see how it turned out.
"We want it to be great, of course, but we are kind of buoyed by the fact that at the end of it, you get to meet people and talk about what you did," he said. "Hopefully what you're talking about is not, 'Oh, this was terrible.'"
Written by: Jonah Engel Bromwich
© 2019 THE NEW YORK TIMES