The myth of Sisyphus is a tragedy. I usually toil away for about two hours in the creek, and cover around about the length of a football field. But what about beyond that, where the creek joins the river, and the river flows out to the harbour, and the tides cover our planet, bringing untold and unrecoverable amounts of rubbish – nets, plastics, oil spills, all the effluvia of human existence – across the sea and on to every shore? The world is a total mess. The world is an extinction event in progress. The world is in a worse state than good old Sisyphus.
The myth of Sisyphus is a farce. Sometimes I take things home from the creek – a pair of scissors, a perfectly good bucket – and now have what may be one of the largest and certainly one of the ugliest collections of bongs in West Auckland. Strange that they end up in the mud. Is it the actions of the same pothead? The design of each is very similar; about three inches of hose pipe, all sticking out of a plastic bottle at the same angle. They are little works of bogan art. I should exhibit them. Smoke on the Water.
The myth of Sisyphus is too narrowly told. Certainly it captures the heartbreaking awfulness of his plight. Homer writes, "Bracing himself and thrusting with hands and feet he pushed the boulder uphill to the top. But every time, as he was about to send it toppling over the crest, its sheer weight turned it back, and once again towards the plain the pitiless rock rolled down."
But just as all wage slaves go home to their families, Sisyphus had another life outside of his labours; he seduced his brother's daughter, his son was ripped to pieces by his own flesh-eating horses, and his grandson rode the winged horse Pegasus. And what of the view he beheld as he trotted back down towards the plain? Was it scenic, was he at one with nature? When I was in the creek the other day, I watched a starling bathe itself in two inches of water. Then it flew to a branch of a mangrove tree, and rubbed its head against the bark. Sunlight lit its emerald tail feathers.
The myth of Sisyphus is all of us, doing our best, clocking in, putting up with it, going out to do whatever it is we do in good faith and good cheer. Albert Camus wrote a classic essay in 1942 on Sisyphus. He examined the absurdity of our lives, our existential dilemma. He saw Sisyphus as "the proletarian of the gods", a hard worker who regularly experienced a kind of ecstasy. Cleaning creeks, pursuing ambitions…"The struggle itself toward the heights is enough to fill a man's heart," Camus concluded. "One must imagine Sisyphus happy."