Kevin Ireland was a sub-editor at the Listener and we worked together for several years. It was an office full of backstabbing and frontstabbing, as well as the judicious art of sidestabbing, generally it was very stabby, but he was neither a stabber nor the stabbed. Everyone liked him. Everyone admired him. Everyone knew they would never make art like he made, so exact, so spare, so much out of so little. “Ireland walks the tightrope of his own lines”, Patrick Evans wrote. Ireland wrote,
thin men
write gaunt poems
and each word
sticks out
like a rib
Kevin Ireland liked a drink. He wrote on the occasion of the death of Denis Glover, a shocking and determined lush, “you left the land not only poorer/ but more sober”. Ireland wasn’t in that dark league, was never that manic; he loved his long liquid lunches with literary pals such as Graeme Lay, Bernard Brown, and Peter Bland, and was an imbiber who liked to cook, and paint, and feed the birds, and catch the fish; he had an interesting love life (he met his first wife in Bulgaria, fell in love with her at first sight, later writing he was “hypnotised by sex”); he always credited a teacher at Takapuna Grammar, Phoebe Meikle, for introducing him to Shelley, and lighting that first fire of poetry in his mind. The fire burned brighter than the bottle.
Kevin Ireland met a deer culler in a pub one night and told him his stories would make a great book. He sat him in front of a typewriter in a house in New Lynn, and Barry Crump wrote A Good Keen Man. Ireland’s memoir, A Month At the Back of My Brain, includes a great story about the funeral of a man who was absent in the coffin at his own service: he had already been cremated, but the family felt the need to fill the coffin with something, anything. Ireland writes of guests, “They had just paid their last respects to a corpse composed entirely of about five dozen copies of Woman’s Day.”
Kevin Ireland, too, will be made of paper, at the launch of A Month At the Back of My Brain in Devonport on Tuesday. His wife, Janet Wilson, will read from his work. It’s actually a co-launch: his old friend Karl Stead is launching his new book of poetry, Say I Do This. I interviewed them together a few years ago at Sargeson’s house at 14 Esmonde Rd. They had both had their lives changed there, both had the good fortune of knowing Sargeson when they were young writers. We talked about that time for two hours on a winter’s morning and then we went for lunch. That was a really great day. I have the honour of launching the two books on Tuesday, and raising a toast to the present Mr Stead, and the absent Mr Ireland.