It was 1983. The setting was Weir House, a Victoria University hall of residence. The room was B10 and its single window provided a glorious vista of Wellington city, its harbour and the hills beyond. We paid about $70 per week each for a room that delivered million-dollar views.
One day, as we sat cross-legged on our respective beds, my roommate asked: "Are you happy?" My reply was fast, unequivocal: "Of course I am." But then I must have shown a flicker of uncertainty and, knowing her, she would have prodded with a further: "But are you really happy?"
To cut a long story short, the more I thought about it the more I discovered that I wasn't even sure what exactly happiness was, and now that I came to think about it I probably wasn't quite so happy as I'd instinctively thought I was. This little scene ended with me crying. Whether they were tears of sadness, surprise, confusion I have no idea. They could have been tears of youthful angst. We were only eighteen after all.
Anyway, that was the first and the last time I deliberately contemplated my level of happiness. I realised that the very act of inspecting it could cause it to dissolve and evaporate. The more we actively chase, it, examine it and try to capture it, the more elusive it seems to be. Perhaps it is the human condition of which we should not speak - the Lord Voldemort of emotions.
But this theory seems to have done little to dull the burgeoning happiness industry intent on capitalising on people's insecurities and uncertainties. Pharmaceuticals such as Prozac and books/blogs such as Gretchen Rubin's The Happiness Project are dedicated to the pursuit of an upbeat state of mind.