Publishers are wary of short stories. They don't sell as easily or pleasingly as novels. I suspect that's partly because they don't absorb you in the same way; you have to read them in measured doses, with pauses for reflection in between.
Yet the best short stories punch well above their weight. They can combine the allusiveness and elusiveness of poetry with the engagement and epiphanies of long fiction. In this collection, Sarah Quigley often manages that.
Like many successful novelists, Quigley began with short stories. She's won awards in the form. These 22 pieces reflect an accomplished and assured author.
They're mostly short, except for one near-novella-sized inclusion. The writing is restrained, dispassionate almost, but the narratives resonate with meaning and emotion.
As the title suggests, that emotion circles around riffs on tenderness: its variations and
antitheses; the way it can transfigure lives. You see this in the 75-page The Marriage Mender, with its story of anxious parental love, mutability and mortality, the tenderness that comes only from other human beings; and even a dash of marriage counselling.