My happy place is anywhere on stage with Dragon. When there are 30,000 people singing the choruses of Rain, April Sun or Old Enough, it's the best feeling in the world.
Sometimes on a good night it feels like standing in front of a jet engine, it's so loud. It has to be, in order to achieve liftoff. It's chaotic and funny and somehow, through all that noise and light and the total concentration it takes to play as a unit, there's a sort of silence and peace that only happens onstage.
There is something transforming about playing songs that are part of everyone's life. You get on stage, usually after travelling all day and feeling every one of your 62 years. Suddenly you're plunged into a zone where you have to bring a huge amount of concentration and focus to bear on what you're doing. It's our job to change the dynamics of the crowd, to make them forget their troubles and where they are.
We play our verses very quietly, telling the story of the song. Then we smash the choruses as hard as we can so the crowd can levitate, jump up and down and sing at the top of their voices. Song by song it's about shifting them from a bunch of disparate strangers to one big happy organism. When that happens and you look down at the huge smiles on every face, it's impossible to feel tired or old.
My happy place looks different every night. I can be looking out at a sea of faces so large I can't see the end of it, or in tiny venues where the crowd is so close you can chat without a microphone. It's always fantastic.
